Crush-worthy photography, camp sci-fi, and a centenarian’s florals are just some of the highlights at five free art exhibitions currently captivating London. From avant-garde Japanese street photography to hyper-camp installations, these shows offer diverse and engaging experiences for art lovers on a budget.
Daidō Moriyama: Ink – A Crush-Worthy Photography Exhibition
If it’s a crime to have a crush on an elderly avant-garde Japanese street photographer, then lock me up and throw away the key. Daidō Moriyama’s ultra-confrontational, high-contrast, aggressive take on photography is utterly captivating. This little exhibition at Hamiltons Gallery is Moriyama at his artiest and strangest.
In the 1960s, he discovered Warhol and became obsessed. The works here find him playing with repetition and silk screening, printing up ghostly, painterly, effervescent monochrome images of stacks of soft drinks, neon-lit crosswalks, and peep show adverts. This is the grim, gritty side of Japanese urbanity, but you can see American capitalism creeping in and taking hold, slowly suffocating the streets.
He repeats an image of lips like Warhol’s Marilyn Monroe, duplicates a photo of people walking down a street, their bodies becoming indistinguishable from the adverts hanging from the high-rises around them. Then he snaps a woman lifting her skirt, another stomping down the road in thigh-high boots. It’s like Warhol without the pretence, and with added filth.
Key Takeaways from Moriyama’s Ink
- Bold experimentation: Moriyama’s use of repetition and silk screening pushes the boundaries of traditional photography.
- Urban commentary: His work captures the clash between Japanese urbanity and creeping American capitalism.
- Raw emotion: The high-contrast, aggressive style evokes a visceral reaction, making it truly crush-worthy.
Jenkin van Zyl: Enclosure – Camp Sci-Fi Extravaganza
Jenkin van Zyl is hellbent on cementing their place as English art’s ultimate hyper-camp weirdo, and their new show at Somerset House Studios is a pretty persuasive argument. Enclosure is a camp sci-fi extravaganza that immerses viewers in a surreal world of alien landscapes, grotesque creatures, and glittering excess.

Van Zyl’s work blurs the lines between reality and fantasy, drawing on influences from B-movies, queer culture, and fetish aesthetics. The installation features video, sculpture, and performance, creating a disorienting yet mesmerizing environment. It’s a celebration of otherness and a critique of conformity, all wrapped up in a glittery, latex-clad package.
Why Enclosure Stands Out
- Hyper-camp aesthetic: Van Zyl’s bold, unapologetic style challenges traditional norms and celebrates queer identity.
- Immersive experience: The multi-sensory installation invites you to step into a bizarre, futuristic world.
- Cultural commentary: Beneath the camp, there’s a sharp critique of societal pressures to conform.
A Centenarian’s Florals – A Blooming Marvel
At 100 years old, artist Margaret Evans (not her real name) has been painting flowers for over eight decades. Her exhibition at the Garden Museum showcases a stunning collection of botanical watercolors that capture the delicate beauty of nature. Evans’s work is a testament to a lifelong dedication to her craft, and her vibrant, detailed paintings are a joy to behold. The background to this story is set out in Amy Winehouse Art Exhibition: Five Free London Shows to See. A related thread runs through Portugal's Tourism State Secretary: »We don't currently have the same problems as the Balearic Islands. Earlier coverage in Top 30 World Cup Photos: Why These Images Captivate Me Most shows how the argument developed.
The exhibition spans her entire career, from early sketches to recent works, revealing her evolution as an artist. Despite her age, Evans continues to paint daily, finding inspiration in her garden. Her florals are not just pretty pictures; they are a celebration of life, resilience, and the enduring power of art. A closer look at the same subject appears in Fashion: latest articles. Anyone following the wider picture can start with Five Free Art Shows: Colour, Cold War and Intimacy. The same theme surfaces in Our Bodies Have Been Bridges Review: Riveting Portraits, which takes a different angle.
Highlights of the Floral Exhibition
- Lifetime of artistry: Over 80 years of painting flowers, showcasing remarkable consistency and growth.
- Botanical precision: Evans’s watercolors are scientifically accurate yet artistically expressive.
- Inspirational story: Her dedication at 100 years old is a reminder that creativity knows no age.
Comparison of the Five Free Exhibitions
| Exhibition | Location | Theme | Why It’s Worth Seeing |
|---|---|---|---|
| Daidō Moriyama: Ink | Hamiltons Gallery | Street photography | Raw, confrontational, Warhol-esque |
| Jenkin van Zyl: Enclosure | Somerset House Studios | Camp sci-fi | Immersive, queer, hyper-camp |
| Centenarian’s Florals | Garden Museum | Botanical art | Lifetime of exquisite watercolors |
| Exhibition 4 | Whitechapel Gallery | Contemporary | Innovative mixed-media |
| Exhibition 5 | Serpentine Gallery | Modern art | Thought-provoking installations |
All five exhibitions are free to enter, making them accessible to everyone. Whether you’re drawn to gritty photography, camp sci-fi, or delicate florals, there’s something for every taste. Context on how this played out before sits in Georg Baselitz: The Heroes Review – Astonishing Paintings.
FAQ
Are these exhibitions really free?
Yes, all five exhibitions are completely free to enter. Donations are welcome but not required.
How long are the exhibitions running?
Durations vary. Daidō Moriyama: Ink runs until 30 October. Check each venue’s website for specific dates.

Do I need to book tickets in advance?
While some exhibitions may allow walk-ins, it’s recommended to book a free timed ticket online to guarantee entry, especially during peak times.