Bennelong Play Review: Indigenous Warrior's Story Comes to Stage 2026

Bennelong is a funny, clever play that brings the story of the Indigenous Wangal leader to the Sydney Theatre Company stage. Jane Harrison, known for works like Stolen and The Visitors, crafts an ingenious framework: a young actor, Sebastian (Guy Simon), summons the spirit of Bennelong (Googoorewon Knox) into his living room to interrogate his character and motivations. The play explores the complexities of a man branded a collaborator by colonists and later a sellout by some First Nations people.

The Historical Context of Bennelong

Woollarawarre Bennelong was kidnapped in 1789 by Governor Arthur Phillip, learned English quickly, and became a key intermediary between the colony and the Eora people. In 1792, he traveled to London, spending nearly three years at the center of the empire, studying its culture—including frequent trips to the theatre. Despite this exposure, he ultimately turned his back on colonial society and returned to live among the Eora.

Jane Harrison's Theatrical Approach

Harrison's play does not shy away from the tensions between past and present Blak perspectives. By putting Bennelong himself centre stage, she challenges white interpretations and highlights the frustrations of a people unable to tell their own story. The playwright uses a deceptively simple device—a contemporary actor preparing for an audition—to bridge 18th-century and 21st-century viewpoints.

Key Themes and Performances

Guy Simon delivers a compelling performance as the modern actor Sebastian, while Googoorewon Knox embodies the spirit of Bennelong with depth and nuance. Their dialogue crackles with wit and tension, making the historical figure feel immediate and relevant. The play questions who gets to define legacy and how history is written by the victors.

Why This Play Matters

Performed at the Sydney Theatre Company—just a short walk from Bennelong Point and the Barangaroo precinct—the play is deeply rooted in place. It offers audiences a chance to engage with Australia’s contested history through a lens that centers First Nations voices. The production is both educational and entertaining, balancing humor with hard truths.

• Clever framing device: Present-day actor meets historical figure.
• Authentic Indigenous perspective: Written by Jane Harrison, a leading First Nations playwright.
• Strong performances: Guy Simon and Googoorewon Knox shine.
• Relevant themes: Identity, legacy, and the power of storytelling.
• Perfect setting: Sydney Theatre Company’s connection to the real Bennelong sites.

FAQ

Don’t miss this thought-provoking and entertaining production. Book your tickets online and experience a powerful retelling of an essential Australian story.