The Water Colour review reveals a rare theatrical gem that tackles depression with elegance and expert handling. This two-hander, written by Milly Sweeney, explores how everyday social pressures—like completing an art degree or starting a new job—can spiral into mental health crises. The play's unique structure, where two strangers' stories intersect at a crucial moment, makes it a standout at the Edinburgh festival.
An Unconventional Plot That Elevates the Narrative
What sets Water Colour apart is its unusual plotting. Esme (Molly Geddes) is a friendless art student at Prestwick Academy and Glasgow School of Art, while Harris (Ryan J Mackay) has just landed a job as a kitchen porter in a Michelin-star restaurant. They don't know each other, but their lives cross at a pivotal point, creating a figure-of-eight narrative that is both elegant and emotionally resonant.
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The play's structure allows the audience to see two parallel journeys into depression, each compounded by circumstance. Esme's debilitating inertia contrasts with Harris's partying facade, but as the play loops, their roles reverse, illustrating the fragility of emotional health without overstating the case.
Powerful Performances and Direction
Geddes and Mackay deliver punchy performances, narrating each other's stories to create the illusion of simultaneity. They also play the malevolent authority figures—Esme's opinionated tutor and Harris's tyrannical head chef—adding a lightness of touch that leavens the serious subject matter. Sally Reid's buoyant direction keeps the play brisk and confident, celebrating the power of mutual support even as it portrays isolation.
Key Themes in Water Colour
- Depression and mental health are depicted with sensitivity, avoiding melodrama.
- Isolation is shown as a silent struggle, even in crowded spaces.
- Hope emerges through small acts of kindness and connection.
- Social pressure from academic and professional environments can trigger crises.
Comparison with Other Mental Health Plays
| Play | Structure | Approach to Depression |
|---|---|---|
| Water Colour | Parallel narratives, figure-of-eight | Step-by-step, sensitive, hopeful |
| Every Brilliant Thing | Audience-interactive list | Humorous, uplifting |
| 4.48 Psychosis | Fragmented monologue | Raw, intense, bleak |
Why This Play Matters
Water Colour won the best new play in the 2026 Cats awards, and it's easy to see why. The script is clever, elegant, and expertly handled, making it a must-see for anyone interested in theatre that addresses mental health with nuance. The play runs at the Traverse Theatre, Edinburgh, until 30 August.
Key Takeaways from the Review
- The unusual structure sets Water Colour apart from conventional two-handers.
- Molly Geddes and Ryan J Mackay deliver standout performances.
- The play balances serious themes with comedic moments.
- It's a must-see for Edinburgh festival goers.