Mahler's Das Klagende Lied received a resplendent recounting under Donald Runnicles with the BBC Scottish Symphony Orchestra, a performance that illuminated the composer's fratricidal fairytale. This cantata, composed in Mahler's late teens, fuses opera, symphony, oratorio, and lieder, colliding comedy and tragedy at every turn.
The Genesis of a Fratricidal Fairytale
Freud's 1910 diagnosis of Mahler's mind—'the conjunction of high tragedy and light amusement was inextricably fixed'—finds ample evidence in Das Klagende Lied. The work's narrative, adapted from a Grimms' fairytale, tells of a bridegroom who wins his bride by murdering his younger brother, a secret revealed during the wedding festivities as an offstage wind band continues cheerfully.
Mahler's Original Tripartite Structure
Mahler withdrew the first movement, Waldmärchen, and it remained unpublished until 1969. The BBCSSO performed all three movements, incorporating Mahler's later revisions, making a strong case for the original structure. This choice allowed the audience to experience the full dramatic arc, from the forest legend to the tragic denouement.
Vocal and Choral Excellence
The quartet of storytellers—Kathleen O'Mara, Catriona Morison, John Findon, and Nicholas Brownlee—delivered eloquent performances. Brownlee's rich bass-baritone projected particularly well, anchoring the ensemble. The Edinburgh Festival Chorus navigated the initially fragmented choral sections with precision, building to powerful climaxes.
Musical Synthesis and Wagnerian Influence
Emulating Wagner, Mahler wrote his own libretto, blending high art with folk elements. The cantata's fusion of genres—from church music to part-song—creates a unique tapestry that Runnicles conducted with clarity and emotional depth, ensuring the work's tragic-comic duality resonated throughout the hall.
Performance Comparison Table
| Aspect | BBCSSO/Runnicles | Typical Performance |
|---|---|---|
| Structure | Three movements, original | Two movements, revised |
| Choral Force | Edinburgh Festival Chorus | Various |
| Vocal Soloists | O'Mara, Morison, Findon, Brownlee | Varies |
| Conductor | Donald Runnicles | Various |
Key Takeaways
- Mahler's Das Klagende Lied blends tragedy and comedy, reflecting Freud's diagnosis.
- The BBCSSO's performance of the original three-movement version offers a fuller narrative.
- Donald Runnicles' conducting brought clarity to the work's complex textures.
- Nicholas Brownlee's bass-baritone was a standout among the vocal soloists.
FAQ
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