The Portrait of a City review at Dulwich Picture Gallery showcases master photographers who capture the US cityscape in all its grime, grit, and glory. This exhibition, only the second photography show in the gallery's history, traces the intersection of modern urban development and the evolution of photographic language.
Featuring works from era-defining 20th-century photographers, the show spans from pictorialist pioneers like Alfred Stieglitz and Edward Steichen to social documentarians such as Dorothea Lange and Lewis Hine. The collection, drawn exclusively from the DNB Savings Bank Foundation, offers a concise yet powerful overview of American urban life.
Key Photographers and Their Iconic Works
The exhibition includes masterpieces like Dorothea Lange's Migrant Mother and White Angel Breadline, alongside Lewis Hine's emblematic portrait of ironworker Victor “Frenchy” Gosselin atop the Empire State Building. Other notable artists include Ilse Bing, Mary Ellen Mark, Diane Arbus, Saul Leiter, and Richard Avedon.
The Influence of Painting on Photography
Many photographers in the first half of the show trained as painters, which is evident in their meticulous attention to composition and light. Aaron Siskind's Harlem Document reflects his friendships with abstract expressionists like Rothko and Kline, using torn posters and peeling paint to create a new photographic language for social protest.
Short Films Offer Alternative Perspectives
A series of short film pieces provide fresh interpretations. For instance, a 44-second clip of the White Angel soup kitchen in 1931 shows a lively community, contrasting sharply with the grim loneliness in Lange's photograph. This juxtaposition enriches the viewer's understanding of the scenes depicted.

Comparison of Photographic Styles
| Photographer | Era | Style | Notable Work |
|---|---|---|---|
| Alfred Stieglitz | Early 20th Century | Pictorialist | The Steerage |
| Dorothea Lange | Great Depression | Social Documentary | Migrant Mother |
| Lewis Hine | Early 20th Century | Social Documentary | Empire State Building Ironworker |
| Diane Arbus | Mid 20th Century | Portrait | Identical Twins |
| Saul Leiter | Mid 20th Century | Color Street | Snow on 10th Avenue |
Key Takeaways from the Exhibition
- The show traces the evolution of urban photography from pictorialism to social documentary and beyond.
- Photographers like Siskind merged abstract expressionism with social commentary.
- Short films provide dynamic counterpoints to still images, altering perceptions of historical moments.
- The DNB Savings Bank Foundation collection offers a unique curatorial perspective, focusing on American cityscapes.
Why This Exhibition Matters
This exhibition is a rare opportunity to see how photography shaped our understanding of American cities. It highlights the gritty realities and the glorious aspirations of urban life, from the Great Depression to the post-war era. The curatorial choices, though limited by the collection, still manage to tell a compelling story of artistic innovation and social awareness.
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In conclusion, the Portrait of a City review reveals a masterful collection that captures the essence of the US cityscape. Whether you're a photography enthusiast or a history buff, this exhibition offers a profound visual journey through America's urban evolution.