Ben Platt on Anxiety, Queer Songs, and Why Husband Noah Galvin Is 2026

Ben Platt, the mellifluous singer and loose-limbed dancer best known for starring in Dear Evan Hansen, recently spoke about his constant companion: anxiety. In a candid interview, the actor revealed how his husband, actor Noah Galvin, is a huge factor in managing his nerves. “There’s still highs and lows, but everything’s more in my sights, because I thankfully have him,” Platt said.

Ben Platt on Anxiety and Finding Safety in His Husband

Platt, who crosses his legs and knots his arms in a south London rehearsal room, admits that having a creative focus and a supportive partner helps him navigate the highs and lows. “My relationship with my husband is a huge factor in being able to manage anxiety,” he shared. The couple is currently in London, where Galvin stars in Hit Machine at Soho Theatre, while Platt prepares for his new musical, Midnight at the Never Get.

The Liberating Power of Queer Songs

The musical, set in a 1960s Greenwich Village gay bar, features Platt as cabaret crooner Trevor. Platt describes the character as “effervescent” and “wearing his heart on his sleeve.” The show’s songs, written by Mark Sonnenblick, allow Platt to sing love lyrics to another man for the first time on stage. “One hundred per cent. I grew up doing musicals – years and years, so many shows – but never did I get to play a queer character on stage,” he said. “To play a three-dimensional character who is singing expressly queer songs with details of queer romance, it does feel so liberating.”

Why Being American Feels Helpless and Scary

Platt also touched on the current political climate in the US. “Being American feels quite helpless and scary,” he admitted, noting that progress on gay rights has stalled or reversed. However, he finds solace in New York and in his work. “Having something creative to focus on is a big help.”

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Key Takeaways from Ben Platt’s Interview

• Platt’s husband Noah Galvin is essential for managing his anxiety.
• Playing a queer character with queer songs is a first for Platt and feels “liberating.”
• Platt feels anxious and helpless as an American amid stalled LGBTQ+ progress.
• Creative projects, like the musical Midnight at the Never Get, provide focus and relief.

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