Mendelssohn's Songs Without Words have long been a staple of the piano repertoire, but Bertrand Chamayou's complete recording offers a fresh perspective on these familiar miniatures. In this review, we delve into Chamayou's interpretation of all 48 pieces, exploring how he balances tradition with innovation.
Mendelssohn's Songs Without Words: A Complete Survey
Mendelssohn composed 48 Songs Without Words over 16 years, from 1829 to 1845. These eight sets of six pieces are mostly under three minutes each, capturing fleeting emotions and scenes. While a handful, like the famous Spring Song, are regularly performed, the complete set is rarely recorded. Chamayou's new release is thus a welcome addition, allowing listeners to experience the full arc of Mendelssohn's genius.
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Chamayou's Interpretative Approach
Chamayou brings a singing quality to these pieces, reminiscent of Schubert Lieder. His playing is often softer-edged and more flowing than other interpreters, though he varies his touch as needed. For instance, in the Duetto from Op. 38, the alternating melodic lines are beautifully balanced, each voice lingering slightly as the other takes over. In contrast, Op. 62 No. 6 (Spring Song) receives a perky, almost frothy accompaniment, evoking spring bubbling like frogspawn in a pond.
Comparison with Other Recordings
To appreciate Chamayou's achievement, consider how his approach differs from other notable pianists. The table below compares key aspects of selected recordings.
| Pianist | Interpretative Style | Tempo Choices | Overall Effect |
|---|---|---|---|
| Bertrand Chamayou | Lyrical, flowing, softer-edged | Flexible, lingering on melodic lines | Familiar yet fresh, effortless profundity |
| Daniel Barenboim | Romantic, expansive | Broader tempos | Grand, sometimes heavy |
| Murray Perahia | Clarity, balanced | Moderate, steady | Elegant, slightly reserved |
Key Takeaways from Chamayou's Recording
- Complete set: All 48 pieces, including rarely heard gems.
- Singing tone: Chamayou emphasizes melodic lines, akin to vocal music.
- Varied character: Each piece is individually characterized, from tender to playful.
- Effortless technique: His smooth playing makes difficult passages sound easy.
- Fresh perspective: Even familiar pieces sound newly minted.
Why This Recording Matters
Chamayou's complete Songs Without Words is more than a collection; it's a journey through Mendelssohn's creative life. By presenting these miniatures without pretension, he allows their inherent depth to shine. As Chamayou himself says, playing them is like "opening a trunk of family photos faded by time." This analogy perfectly captures the blend of nostalgia and immediacy in his performance.
FAQ
What are Mendelssohn's Songs Without Words?
They are 48 short piano pieces composed by Felix Mendelssohn, grouped into eight sets of six. They are characterized by their lyrical, song-like melodies.
Who is Bertrand Chamayou?
Bertrand Chamayou is a French pianist known for his interpretations of Romantic and contemporary repertoire. He has recorded works by Liszt, Ravel, and now Mendelssohn.
How does Chamayou's recording compare to others?
Chamayou's version is noted for its singing quality, softer-edged touch, and fresh approach that makes each piece feel familiar yet new. It stands out for its completeness and interpretative depth.
In conclusion, Bertrand Chamayou's complete recording of Mendelssohn's Songs Without Words is a significant addition to the discography. It invites both seasoned listeners and newcomers to rediscover these charming miniatures. Whether you're a longtime fan or exploring Mendelssohn for the first time, this release is not to be missed.
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