Midnight at the Never Get review: Ben Platt’s sky-gliding voice was made for decades gone by, and this honey-hearted cabaret-musical delivers a soaring tribute to 1960s gay sweethearts. Set in a lamplit Menier Chocolate Factory, the show follows Trevor Copeland (Platt) and Arthur Brightman (Gregor Milne) as they navigate love, music, and politics in New York.
Ben Platt’s Performance in Midnight at the Never Get
The Tony, Emmy, and Grammy award-winning actor (Dear Evan Hansen) is beautifully cast in Mark Sonnenblick’s out-of-time love story. Platt’s crooning bar-singer relives years with songwriter Arthur, played with plate-spinning brilliance by Milne. Their chemistry is palpable, with Milne serving as the show’s anchor—both believable as the troubled genius and the steady hand behind the piano.
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Music and Storytelling in This Cabaret-Musical
The history of their love is told through American Songbook-style music, only occasionally syrupy, as the pair slip into jaunty numbers and big-band ballads. The flawless live band, with Milne at its pulse, elevates every scene. When politics knocks on their underground gay club’s doors, they face a fundamental choice: protest or assimilate—a dilemma that gives grit to their jazz-smooth lives.
| Aspect | Review |
|---|---|
| Lead Performance | Ben Platt soars with sky-gliding vocals |
| Supporting Cast | Gregor Milne anchors with plate-spinning brilliance |
| Music | American Songbook-style, occasionally syrupy |
| Direction | David Cromer retains intimacy with simple staging |
| Overall | Honey-hearted with a gut-punch ending |
Key Takeaways from the Show
- Ben Platt’s voice is a perfect fit for 60s cabaret-musical style.
- Gregor Milne delivers a quiet, powerful performance as the songwriter.
- The gay love story is both tender and politically charged.
- Director David Cromer’s intimate staging enhances emotional impact.
- A minor magic trick wraps up loose threads, though a trim would heighten the gut-punch.
FAQ
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Is Midnight at the Never Get worth seeing?
As darkness seeps into the story, we make sense of the narrator’s gaps in time and memory. Director David Cromer retains intimacy with simple staging and a minor magic trick that wraps up loose threads. Midnight at the Never Get sees music as both heartbreak and cure, revealing what love leaves you with when all is said and sung.