Judy Tarling obituary: the renowned baroque violinist and author has died of cancer aged 78, leaving a profound influence on the performance of baroque music. As a leader of orchestras, a tutor, and an author of five influential books, she shaped how musicians approach early music worldwide.
Early Life and Musical Beginnings
Born in Brighton, Judy was the youngest child of William Tarling, a solicitor, and Beryl (nee George), a homemaker. She studied violin and viola at Brighton and Hove High School, Dartington College of Arts, and the Royal Academy of Music in London.
Her professional career began in 1970 with the City of Birmingham Symphony Orchestra, but after two years in Canada, she developed a deep interest in early music. Returning to Britain, she embraced the baroque violin, forming her own group, Brighton Baroque.
Career with Period-Instrument Ensembles
Judy played viola with leading period-instrument ensembles such as the Academy of Ancient Music, the Hanover Band, and the London Handel Orchestra. In 1981, she joined The Parley of Instruments, first as a viola player and later as its leader, where her fine playing is captured on many Hyperion recordings.
She also led the development of the Parley's consort of Renaissance violins, tailored for 16th- and early 17th-century music. Her leadership extended to orchestras for the Suffolk Villages festival and Leeds Baroque, and she taught on courses across Europe and the Americas.
Influential Books and Teaching Legacy
Judy was an inspiring tutor, known for her profound knowledge of baroque performance practice and its connection to classical rhetoric. Her first book, Baroque String Playing for Ingenious Learners (2000), and The Weapons of Rhetoric: A Guide for Musicians and Performers (2004), became required reading for musicians globally.
Together with colleagues, she developed baroque orchestral courses at Little Benslow Hills and for the Cambridge Early Music Summer Schools, founded in 1993. Her teaching methodology emphasized the rhetorical aspects of music, helping performers interpret scores with historical authenticity.
Impact on Baroque Music Performance
Judy's work significantly altered how baroque music is performed today. By integrating rhetorical principles into string playing, she bridged the gap between historical theory and practical execution. Her books remain essential resources for students and professionals alike.
Her influence extended beyond the UK, with teaching stints in Europe and the Americas, spreading her approach to a global audience. She was particularly known for her ability to demystify complex performance practices, making them accessible to learners at all levels.
Comparison: Traditional vs. Judy Tarling's Approach
| Aspect | Traditional Approach | Judy Tarling's Approach |
|---|---|---|
| Focus | Modern technique | Historical rhetoric |
| Violin setup | Modern strings and bow | Baroque setup (gut strings, shorter bow) |
| Interpretation | Composer's intent assumed | Rhetorical figures and gestures |
| Teaching | Standard conservatory method | Contextual, with historical sources |
Key Takeaways from Judy Tarling's Legacy
- Pioneered the use of baroque violins in period ensembles.
- Authored five influential books on baroque performance.
- Developed educational courses that integrated rhetoric with music.
- Led major orchestras and mentored students worldwide.
- Left a lasting impact on early music performance practice.
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