William Shakespeare's connection to Black culture is a topic that has gained increasing attention, challenging traditional narratives and revealing a complex, centuries-long relationship. From Maya Angelou's provocative declaration that Shakespeare was a Black woman to scholarly examinations of his works, the Bard's resonance with Black identity is undeniable.
Maya Angelou's Bold Claim: Shakespeare as a Black Woman
In 1985, Maya Angelou spoke the words that would become a touchstone for discussions of Shakespeare and race: "William Shakespeare was a black woman." This statement, delivered during a keynote speech in Cedar Rapids, Iowa, was not a literal assertion but a profound acknowledgment of the deep kinship she felt with the playwright.
Angelou described how, as a child, she fantasized about delivering Portia's speech from The Merchant of Venice in front of her church community. Although she never performed it, this desire stemmed from a lifelong connection to Shakespeare that provided her with solace and heartening throughout her life.
She believed that Shakespeare's Sonnet 29, with its emotional desolation, was written "for" her, capturing the harsh realities of the Black feminine condition. "Of course he wrote it for me," Angelou declared. "Of course, he was a Black woman. I understand that. Nobody else understands it, but I know that William Shakespeare was a Black woman."
Dr. Patricia Akhimie and the Scholarly Perspective
Angelou's sentiment is shared by many Black women, including Dr. Patricia Akhimie, director of the Folger Institute at the Folger Shakespeare Library in Washington, DC. While Akhimie does not claim that Shakespeare was literally a Black woman, she has dedicated her career to studying the resonance between Shakespeare's works and Black culture.

Akhamie's research explores how Shakespeare's plays have been adopted and adapted by Black writers, artists, and activists over the centuries. This connection is not merely academic; it is a living, breathing relationship that continues to evolve.
Why Shakespeare Resonates with Black Culture
Shakespeare's works deal with universal themes of love, power, jealousy, and identity—themes that resonate deeply with the Black experience. Moreover, his plays have been used as a tool for liberation and empowerment.
- Language of the oppressed: Shakespeare's characters often challenge authority and speak truth to power, mirroring the struggles of marginalized communities.
- Adaptation and reclamation: Black artists have reimagined Shakespeare's plays, infusing them with their own cultural perspectives and experiences.
- Educational empowerment: For many Black students, Shakespeare represents a gateway to literacy and critical thinking, despite historical barriers.
- Universal emotions: The raw emotions in Shakespeare's sonnets and plays—grief, love, anger—transcend race and time, offering solace and understanding.
- Historical ties: Shakespeare lived during a time when Black people were present in England, and his works reflect the racial dynamics of the era.
The Historical Context of Shakespeare and Race
Shakespeare wrote during the late 16th and early 17th centuries, a period when England was becoming increasingly involved in the transatlantic slave trade. His plays, such as Othello and The Tempest, feature characters of African descent and explore themes of race and otherness.
While some critics argue that Shakespeare's portrayals perpetuate stereotypes, others see them as nuanced examinations of racial prejudice. For example, Othello is a complex, tragic figure whose downfall is orchestrated by the machinations of others, raising questions about race and jealousy.
| Play | Black Character | Theme |
|---|---|---|
| Othello | Othello | Race, jealousy, betrayal |
| The Tempest | Caliban (often interpreted as Indigenous or African) | Colonialism, slavery, freedom |
| Titus Andronicus | Aaron the Moor | Revenge, villainy, otherness |
| Antony and Cleopatra | Cleopatra (Egyptian queen) | Power, love, cultural clash |
Modern Interpretations and Adaptations
In the 20th and 21st centuries, Black artists have increasingly claimed Shakespeare as their own. From Paul Robeson's groundbreaking Othello to the plays of August Wilson, which engage with Shakespearean themes, the Bard's influence is pervasive.
Contemporary adaptations often set Shakespeare's plays in diverse contexts, such as a post-colonial Africa or a modern American city, highlighting the universality of his stories while infusing them with Black cultural elements.

What This Means for Education and Representation
The connection between Shakespeare and Black culture has significant implications for education. Historically, Shakespeare has been seen as a symbol of Western canon and, for some, a tool of cultural imperialism. However, recognizing his resonance with Black culture can make his works more accessible and relevant to students of all backgrounds.
Educators are increasingly incorporating diverse perspectives into their teaching of Shakespeare, exploring how his plays have been interpreted and adapted by Black artists. This approach not only enriches students' understanding of Shakespeare but also validates their own cultural identities.
As scholars like Dr. Akhimie continue to uncover the layers of this relationship, the conversation around Shakespeare and Black culture is sure to deepen. It is a reminder that literature is not static but constantly reinterpreted through the lenses of different communities.
The dialogue between Shakespeare and Black culture is also reflected in broader artistic movements. For instance, the life and work of Hermione Carline in art and textile design exemplify how creative legacies can bridge cultural divides, much like Shakespeare's enduring influence.
Similarly, events like Milan Design Week's Ca' Granda exhibition demonstrate the power of art to multiply perspectives, echoing the multifaceted interpretations of Shakespeare's plays.
In the realm of gaming, Designers Republic's innovative art for Aphex Twin and gaming shows how visual storytelling can challenge norms, akin to Shakespeare's boundary-pushing narratives.
The 40-year legacy of Designers Republic further illustrates how iconic art can shape culture, just as Shakespeare's works have shaped our understanding of the human condition.

Finally, Eindhoven's vibrant design scene offers a contemporary example of how cities can foster creative connections, much like the cultural intersections we see in Shakespeare's global reception. The background to this story is set out in Shakespeare's Untold Connection to Black Culture and Identity.
FAQ
Did Maya Angelou really say Shakespeare was a Black woman?
Yes, in a 1985 keynote speech, Maya Angelou declared, "William Shakespeare was a black woman." She meant it metaphorically, expressing her deep personal connection to his works, particularly Sonnet 29, which she felt captured the Black feminine experience.
Who is Dr. Patricia Akhimie?
Dr. Patricia Akhimie is the director of the Folger Institute at the Folger Shakespeare Library. She is a scholar who studies the relationship between Shakespeare's works and Black culture, exploring how his plays have been adopted and adapted by Black artists and writers.
Why does Shakespeare resonate with Black culture?
Shakespeare's works explore universal themes like power, love, and identity that resonate with the Black experience. Additionally, his plays have been used as tools for liberation, and Black artists have reclaimed and adapted them to reflect their own cultural perspectives.
How is Shakespeare taught in schools today?
Many educators now incorporate diverse perspectives, including Black interpretations and adaptations of Shakespeare's plays, to make his works more relevant and accessible to students of all backgrounds.