Berlioz Requiem Review: Pappano's Grand Performance at Proms 2026

Claire Hodges
Berlioz Requiem Review: Pappano's Grand Performance at Proms
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Berlioz's Requiem, also known as the Grande Messe des Morts, demands grand forces and delivers a visceral experience. In a recent Proms performance, Antonio Pappano led the LSO, LSO Chorus, and BBC Symphony Chorus through an 80-minute journey of desperation and awe.

The Grand Forces of Berlioz's Requiem

Berlioz's masterpiece requires a huge choir, an expanded orchestra, four brass bands, and a warehouse-full of percussion, including enough timpani to occupy 10 players simultaneously. This is not a deep personal expression of devotion – the composer had lost his faith – but rather a painting of the text in all its viscerality and desperation.


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Special Effects and Musical Impact

In the Tuba Mirum, thrilling brass yielded to a blur of drumsticks as the timpani and four tam-tams took over, creating an enveloping low-frequency swell that could be felt through the feet. The earth really could have been splitting, graves emptying.

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Pappano placed all four brass bands at the focal end of the hall – two directly behind the orchestra, two up high either side of the choir – rather than all around the gallery. This was wise for coordination, and the loudest moments from the high-up players ricocheted off the opposite walls, achieving a surround-sound effect.

Choral Writing and Exposed Passages

Much of the work is surprisingly thinly scored. Long passages find the choir accompanied only by a handful of instruments, or even a cappella in the Quaerens Me. The choral writing is mercilessly exposed, difficult to tune, and for the tenors in particular, very high.

In the Sanctus, the sight of seven pairs of cymbals being picked up was striking, but the sound that ensued, framing Julien Henric's valiantly poised tenor solo, was almost comically gentle – a shimmery swish that might have been the beat of angelic wings.

Performance Details and Comparison

To understand the scale, consider the forces involved:

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Element Details
Choir LSO Chorus and BBC Symphony Chorus
Orchestra Expanded LSO
Brass Bands Four separate groups
Percussion 10 timpanists, tam-tams, cymbals
Conductor Antonio Pappano

Key Takeaways

  • Berlioz's Requiem is a monumental work requiring massive forces.
  • Pappano's placement of brass bands created effective surround-sound.
  • The choral writing is exposed and demanding, especially for tenors.
  • The performance captured the viscerality and desperation of the text.

FAQ

What is Berlioz's Requiem?

What is Berlioz's Requiem?
Berlioz's Requiem, or Grande Messe des Morts, is a massive choral work composed by Hector Berlioz in 1837. It requires a huge orchestra, four brass bands, and a large choir, and is known for its dramatic and visceral setting of the Requiem text.

Who conducted the performance reviewed?

Who conducted the performance reviewed?
Antonio Pappano conducted the performance, leading the London Symphony Orchestra, the LSO Chorus, and the BBC Symphony Chorus at the Proms.

What are the special effects in the Tuba Mirum?

What are the special effects in the Tuba Mirum?
In the Tuba Mirum, the brass bands and timpani create a powerful low-frequency swell, with four tam-tams adding to the effect, making it feel as if the earth is splitting and graves are emptying.

This performance was a testament to the power of Berlioz's vision, and Pappano's direction ensured that the grand forces were used to maximum effect. For lovers of classical music, this is a must-hear interpretation.

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Claire Hodges

Author

Claire Hodges

Claire Hodge is a seasoned writer and the head of content for the "Celebrities & Culture" magazine at Grand Goldman. With a background in journalism and a passion for Pop Culture / Fashion, she brings a unique blend of expertise and creativity. Her insightful articles and in-depth interviews have made her a bold voice in the industry, known for her ability to capture the idiosyncrasies of celebrity lives and cultural trends.


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