In the haunting new play Blood of My Blood, playwright Joy Nesbitt delivers a gripping ghost story that doubles as a searing reckoning with the undocumented history of enslaved people. Directed by Tatenda Shamiso, this fantastically chilling production takes audiences from present-day America into the past, landing at the exact moment when slavery was abolished. It is a theatrical experience that lingers long after the final curtain.
A Plantation Turned Holiday Rental: The Setting of Blood of My Blood
The play opens on a South Carolina plantation that a white couple has converted into a holiday rental. Weddings and celebrations are hosted there, a practice that Talulah (Jodie Campbell), a Black British woman, bluntly calls "slave-plantation tourism." Talulah has traced her family line to this very spot and is determined to uncover the truth of her ancestry.
Conjuring the Past: Talulah's Quest
Using the ritual practice of "conjuring," Talulah attempts to channel her descendant Ginnie (Ronkẹ Adékọluẹ́jọ). This supernatural communication becomes a way to fill in the gaps of her family's enslaved past. As the living and the dead meet, the unresolved past exerts itself in the present, creating a dramatic and emotional charge that is both far-fetched and utterly compelling.
Genre-Bending Brilliance in Blood of My Blood
Under Shamiso's direction, Blood of My Blood never feels like a dry history lesson. Instead, it deftly navigates the uneasy waters between comedy, race drama, and gothic horror. The play shares passing similarities with Marlon James's The Book of Night Women and Jordan Peele's psychological terror, blending genres to create something wholly original.
The Supernatural Meets Historical Reality
The supernatural territory takes us back to the complicated reality of Ginnie's life and how it is entwined with the Irish confederate enslaver John Good (Patrick Vaill). This intersection of the ghostly and the historical grounds the play in a painful, necessary truth.

Key Takeaways from Blood of My Blood
- Genre-defying: Seamlessly blends ghost story, comedy, and race drama.
- Emotionally charged: The meeting between a dead enslaved person and her living relative carries dramatic weight.
- Historically resonant: Confronts the undocumented history of enslaved people and the legacy of slavery.
- Superbly acted: Jodie Campbell and Ronkẹ Adékọluẹ́jọ deliver powerful performances.
Blood of My Blood vs. Similar Works
| Work | Genre | Theme |
|---|---|---|
| Blood of My Blood | Ghost story, race drama | Slavery's undocumented history |
| The Book of Night Women | Historical fiction | Enslaved women's resistance |
| Get Out | Psychological horror | Racial terror |
Why Blood of My Blood Matters
Blood of My Blood is more than a ghost story; it is a reckoning. By giving voice to the silenced, Nesbitt creates a theatrical experience that is as thought-provoking as it is chilling. This is a play that demands to be seen and discussed.
FAQ
What is Blood of My Blood about?
Blood of My Blood is a play about a Black British woman who uses conjuring to contact her enslaved ancestor, uncovering the undocumented history of slavery.
Who wrote Blood of My Blood?
The play is written by Joy Nesbitt and directed by Tatenda Shamiso.
Where is Blood of My Blood set?
The play is set on a South Carolina plantation that has been turned into a holiday rental, moving between present-day America and the past.