As You Like It Review: French Aristocratic Comedy in Arden 2026

The As You Like It review of Sean Holmes and Charlie Josephine's production reveals a fresh comedic take on Shakespeare's pastoral classic, set against French aristocratic trappings that bring new life to Arden. This staging transforms Duke Frederick's court into a Versailles-like spectacle, complete with flamboyant gestures and Molière-inspired antics, before shifting to the earthy simplicity of the forest.

A French Twist on Shakespeare's Arden

The production opens with a court that could be straight out of Louis XVI's Versailles, filled with exaggerated wigs, bustles, and gesticulations that belong more to French farce than English pastoral. This aesthetic choice sets the stage for a comedy that leans heavily into merriment, as the characters' courtly lives seem to be a constant state of disguise.

As the action moves to Arden, costumes become plainer, but the comedic energy remains high. Rosalind (Lola Shalam) and Celia (Gracie Oddie-James) shed their enormous wigs and bustles, with Rosalind adopting simple yokel garb as Ganymede, while Celia flounces in an exaggerated Little Bo Peep outfit as Aliena. This visual contrast underscores the play's themes of identity and liberation.

Standout Performances and Comic Highlights

Many aspects of this production soar, particularly the comedy, which is sublimely eked out by almost every character. Jonnie Broadbent's Touchstone is a comic highlight, appearing bare-chested with a lacy ruff, delivering his lines with impeccable timing. Katherine Pearce's Jaques offers a quietly moving rendition of the 'All the world's a stage' speech, providing a moment of reflection amidst the laughter.

Lola Shalam is a commanding Rosalind, full of charm and cheek, capturing the character's wit and vulnerability. The class delineations are made deftly through the contrasting costumes and mannerisms, adding depth to the social commentary inherent in the play.

Costume Design and Directorial Choices

The decision to set the court in French aristocratic style is more than just an aesthetic whim; it reflects the pomp and artificiality of court life. The plainer costumes in Arden suggest a stripping away of pretense, allowing the characters to explore their true selves. This visual storytelling enhances the play's exploration of gender and identity, even if the production prioritizes comedy over deep philosophical musings.

Comparison Table: Traditional vs. This Production

Key Takeaways from the Production

• The French aristocratic setting adds a fresh comedic layer to Shakespeare's play.
• Costume changes effectively highlight themes of disguise and identity.
• Jonnie Broadbent's Touchstone is a standout comic performance.
• Lola Shalam brings charm and wit to Rosalind.
• The production balances humor with moments of genuine emotion.

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