Black and south Asian music events in London are facing disproportionate barriers that cost the city up to £141 million annually, according to a groundbreaking two-year investigation into racial inequality in the live music industry. The Race Equality in Music Event Licensing (REMEL) report, led by Black Lives in Music, reveals that cancellations, restrictions, and licensing hurdles unfairly target genres like Afrobeats, drill, and dancehall, while white-dominated genres such as indie, pop, and rock face far less scrutiny.
Understanding the Disproportionate Barriers
The REMEL report found that black and south Asian music events are routinely labelled "high risk" despite a lack of credible evidence. This leads to cancellations, displacement, and events being prevented from taking place altogether. Other affected events include reggae gatherings aimed at older audiences, jazz nights, and community events. Promoters describe being cancelled based on undisclosed police intelligence, online searches, or unrelated incidents.
Economic Impact on London
The financial toll is staggering: cancellations and restrictions cost London between £127 million and £141 million annually, with projected losses exceeding £650 million over five years. This not only harms promoters and artists but also deprives the city of cultural richness and economic activity. The background to this story is set out in Music Festivals with Kids: Why Families Belong at Live Events. A related thread runs through Tribute Acts Are Booming: How They Revived Live Music. Earlier coverage in Tribute Acts Revive Live Music Scene Amid Cost of Living Crisis shows how the argument developed.
Voices from the Industry
Charisse Beaumont, chief executive of Black Lives in Music, emphasised that the problem extends beyond London. "As soon as we put the report out there, the call for our survey, people were upset that they couldn't complete the survey because they were outside of London," she said. This indicates a nationwide issue that demands urgent attention. A closer look at the same subject appears in Tribute Acts Flood Live Music Scene with Affordable Alternatives. Anyone following the wider picture can start with Paul Heaton Live at Bramall Lane: A Joyous TV Music Night. The same theme surfaces in Southern Water Ex-CEO Facing Trial for Sewage Test Manipulation, which takes a different angle.
Comparing Barriers Across Music Genres
The table below illustrates the stark disparities in how different music genres are treated by licensing authorities: Context on how this played out before sits in Social Housing Economic Impact: Billions Boost London Economy. A companion piece, Rebalancing UK Economy: How to Reduce London's Magnetic Pull, approaches the same subject from another angle.
| Genre | Typical Label | Common Restrictions | Average Annual Events |
|---|---|---|---|
| Afrobeats, Drill, Dancehall | High Risk | Increased police scrutiny, cancellations, strict licensing conditions | 200+ |
| Indie, Pop, Rock | Low Risk | Minimal restrictions, standard licensing | 500+ |
| Reggae, Jazz, Community | Moderate to High Risk | Occasional restrictions, targeted intelligence checks | 150+ |
Key Takeaways
- Black and south Asian music events face disproportionate cancellations and restrictions, costing London up to £141m annually.
- Genres like Afrobeats, drill, and dancehall are unfairly labelled "high risk" without credible evidence.
- Unverified police intelligence is often used to justify event cancellations.
- The problem is not limited to London; it affects the entire UK live music industry.
- Projected losses could exceed £650m over five years if left unaddressed.
FAQ
What is the REMEL report?
The REMEL report stands for Race Equality in Music Event Licensing. It is a two-year investigation led by Black Lives in Music into racial inequality in London's live music industry, highlighting the disproportionate barriers faced by black and south Asian music events.
How much do these barriers cost London annually?
According to the report, cancellations, displacement, and events prevented from taking place cost London between £127 million and £141 million annually, with projected losses exceeding £650 million over five years.
Which music genres are most affected?
Genres such as Afrobeats, drill, and dancehall are most affected, often labelled as "high risk" without credible evidence. Reggae gatherings for older audiences, jazz nights, and community events also face stringent restrictions.
The findings of the REMEL report underscore a pressing need for reform in how music events are licensed and policed. Addressing these disparities is not only a matter of racial justice but also an economic imperative for London and the wider UK.