People With Money by Jess Ho is a sharp satire that dissects race, class, and gender through the turbulent marriage of Amy and Edward. This debut novel from the Melbourne author offers a provocative look at modern relationships and societal tensions.
Plot Overview: An Unlikely Union
The story opens with Amy Chan, a queer, non-binary Asian artist in her late 20s, and Edward Smith, a 45-year-old self-proclaimed CEO, in marriage counseling. Their relationship seems improbable from the start: Edward is casually racist, struggles with Amy's pronouns, and has a drinking problem, while Amy is blunt, opinionated, and politically aware.
The narrative traces their whirlwind romance from a chance meeting at a clothing store to a proposal just months later. Ho uses this mismatched pairing to explore how money can bridge—but also magnify—social divides. The title itself hints at the central theme: the power dynamics that money introduces into personal relationships.
Themes of Race, Class, and Gender
Race and Microaggressions
Edward's casual racism is a recurring tension point. He makes insensitive jokes and fails to understand Amy's cultural background. Ho doesn't shy away from depicting these microaggressions, using them to highlight the everyday racism that people of color often face in intimate settings.
Class and Transactional Love
The relationship is described in cold, transactional terms. Edward's wealth creates an imbalance, making Amy feel like they've been "bought." This is most evident when Edward's father jokes about his son purchasing Amy's affection. Ho critiques how capitalism can commodify even the most personal connections.
Gender Identity and Misgendering
Amy's non-binary identity adds a fresh perspective to the narrative. Edward's inability to use correct pronouns symbolizes a broader societal failure to respect gender diversity. Ho uses this to explore the emotional toll of constant misgendering and the struggle for recognition.
Comparison with Other Works
Fans of Jessie Tu's A Lonely Girl is a Dangerous Thing or Kiley Reid's novels will find familiar themes here. However, Ho's focus on a non-binary protagonist offers a unique angle that sets it apart from other works dealing with race and class.
| Aspect | People With Money | A Lonely Girl is a Dangerous Thing |
|---|---|---|
| Protagonist | Non-binary artist | Female violinist |
| Primary Conflict | Marriage dynamics | Identity and ambition |
| Satirical Tone | High | Moderate |
| Explores Gender | Yes | Yes |
Strengths and Weaknesses
Ho's writing is sharp and witty, with a keen eye for social critique. The dialogue crackles with tension, and the characters, though flawed, are compellingly drawn. However, the satire sometimes feels overdone, with brief flashes of tenderness between Amy and Edward that are unconvincing. The relationship's transactional nature, while intentional, may leave readers wanting more emotional depth.
Key Takeaways
- Sharp Satire: Ho effectively skewers race, class, and gender norms.
- Unique Perspective: The non-binary protagonist offers a fresh voice in literary fiction.
- Provocative Themes: The book sparks important conversations about money and relationships.
- Potential Drawback: Some readers may find the satire too heavy-handed.
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