In our A Slow Fire review, we explore Simon Stephens' postapocalyptic bunker drama, now playing at Jermyn Street Theatre. This intimate production brings together two men, Ashton and Reece, hiding from an unnamed global catastrophe, their story echoing Beckett but with a crucial twist: hope over despair.
Setting the Stage: A Bunker of Memories
The basement theatre at Jermyn Street provides a claustrophobic yet perfect setting for this two-hander. The stage is sparse: a mattress, a camping stove, a record player. The sound design—high winds and ominous machinery—creates a constant reminder of the threats above ground. The characters, played by Ross Gaynor and Ian Toner, are distinctly Beckettian, yet Stephens infuses their interactions with a unique optimism.
Characters: Ashton and Reece
Ashton, a porter, and Reece, a professor, would have little in common in ordinary life. But in this bunker, they become receptacles for each other's most precious memories. They play memory games, enacting scenes from their former lives—a declaration of love, a moment between father and son, the announcement of a pregnancy. These scenes are filled with optimism and promise, a stark contrast to their bleak reality.
Hope vs. Despair: The Thematic Core
The central theme of A Slow Fire is the tension between hope and despair. While Beckett's characters often wallow in hopelessness, Stephens' men cling to hope, even as the world outside crumbles. They worry about the theft of a nearby track—does it mean they are literally coming to the end of the road? Yet, they continue to sing, to tell stories, to wait.
Comparison with Beckett's Works
To understand Stephens' approach, it's helpful to compare it with Beckett's iconic plays, which have been performed on this same stage. The table below highlights key differences:
| Aspect | Beckett's Plays | A Slow Fire |
|---|---|---|
| Emotional Tone | Despair, absurdity | Hope, resilience |
| Characters' Purpose | Waiting without purpose | Preserving memories |
| Setting | Abstract, minimal | Concrete bunker |
| Ending | Ambiguous, bleak | Flicker of hope |
Production Highlights
The production, which premiered at G (the venue), benefits from strong performances. Gaynor and Toner bring depth to their roles, their chemistry palpable as they navigate the emotional landscape. The direction keeps the tension taut, and the sound design is a standout, effectively conveying the external threat without ever showing it.
Key Takeaways
- A Slow Fire reimagines postapocalyptic drama with a focus on hope.
- The performances by Ross Gaynor and Ian Toner are compelling and nuanced.
- The sound design enhances the atmosphere, creating a constant sense of danger.
- Stephens' writing offers a fresh take on Beckettian themes.
- The intimate setting of Jermyn Street Theatre is ideal for this two-hander.
Why You Should See It
If you're a fan of thought-provoking theatre that balances darkness with light, A Slow Fire is a must-see. It's a reminder that even in the bleakest circumstances, human connection and memory can sustain us. The play's exploration of what it means to be human resonates long after the final curtain.
FAQ
What is A Slow Fire about?
A Slow Fire is a postapocalyptic drama by Simon Stephens about two men hiding in a bunker after an unnamed global catastrophe. They pass the time by rehearsing memories from their former lives, balancing hope and despair.
Who stars in A Slow Fire?
The play stars Ross Gaynor as Ashton and Ian Toner as Reece. Their performances are central to the production's emotional impact.
Where is A Slow Fire playing?
A Slow Fire is currently playing at the Jermyn Street Theatre in London, a basement venue that provides an intimate setting perfect for this two-hander.
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