The best recent poetry often emerges from the friction between personal history and larger forces, and two new collections—Jessica Mookherjee's The Universe Is an Animal and Sylvia Legris's Sleep Gate—demonstrate exactly that. Both poets weave scientific language with intimate experience, creating works that challenge how we understand displacement, ecology, and the body.
Jessica Mookherjee's The Universe Is an Animal: Science and Displacement
Published by Nine Arches Press, Mookherjee's collection is a confident and capacious work where scientific language commingles with familial histories of displacement and war. Echoes of violence—from the partition of East Pakistan and India (now modern-day Bangladesh) to an arrival in Wales—haunt many of the poems. This is not abstract geopolitics; it is the lived residue of rupture passed down through generations.
Waterlily: Inverting Monet
In Waterlily, Mookherjee inverts Monet's signature image into something far more sinister. An aunt "hides under Bhatiyari Lake, sari billows / until the men leave" to escape communal riots. The poem encodes repetition and refrain into a genetic pattern of sound and meaning: "the dress she sews me is washed / with river mud from Bangladesh. / And I become Welsh. Uncle becomes ash." The transformation is both literal and metaphorical—identity forged through violence and survival.
The Reproductions: Evolutionary Biology and Motherhood
Another long poem, The Reproductions, emerges from the poet's study of evolutionary biology. Mookherjee asks how the stresses of famine, migration, war, and racism impact uniquely on mother and child. She considers how suffering is not unique to the human animal only, as "ten percent / of mammalian foetuses don't make it / out." Death may sometimes be out of our hands, and the conditions of love and safety, too, may not be up to us. "I learned / a foetus can be reabsorbed / by the womb in sub-optimal / environments. When is it a good time?" The question hangs, unanswered, demanding we sit with its discomfort.
Sylvia Legris's Sleep Gate: Poetic Ecologies
Published by Fitzcarraldo Editions, Legris's collection offers sharply observed poetic ecologies. In these poems, Legris tests the boundaries between human and non-human, self and environment. Her attention to the natural world is meticulous, almost scientific, yet always infused with a lyric sensibility that refuses easy resolution. The title suggests a threshold—a gate through which sleep, or perhaps death, passes—and the poems probe that liminal space.

Why These Collections Matter
Both Mookherjee and Legris are engaged in a kind of poetic fieldwork. They observe, classify, and interrogate. But where Mookherjee focuses on the human cost of displacement and the genetic inheritance of trauma, Legris turns outward to the ecosystems we inhabit and alter. Together, they represent the range of contemporary poetry: deeply personal yet rigorously intellectual, formally inventive yet emotionally direct.
- Jessica Mookherjee blends scientific language with familial histories of displacement and war.
- Sylvia Legris offers sharply observed poetic ecologies that test the boundaries between human and non-human.
- Both collections use repetition and refrain to create genetic patterns of sound and meaning.
- Mookherjee's The Reproductions questions how stress impacts mother and child across species.
- Legris's Sleep Gate probes liminal spaces with meticulous attention to the natural world.
Comparison of the Two Collections
| Feature | The Universe Is an Animal | Sleep Gate |
|---|---|---|
| Publisher | Nine Arches Press | Fitzcarraldo Editions |
| Price | £11.99 | £12.99 |
| Central Themes | Displacement, war, evolutionary biology, motherhood | Ecology, liminality, human-nonhuman boundaries |
| Formal Strategies | Long poems, repetition, refrain | Sharply observed lyrics, scientific precision |
| Key Poems | Waterlily, The Reproductions | (Not specified in excerpt) |
What to Watch Next
As the poetry world continues to grapple with questions of displacement, ecology, and inherited trauma, these collections offer vital models. Readers might look to other recent works that blend science and personal history, or to poetry that engages with the legacies of partition and migration. The conversation between Mookherjee and Legris—one inward, one outward—suggests that the best recent poetry refuses to choose between the two.
For those interested in exploring more poetry reviews, our best recent poetry review roundup offers a broader survey of top collections. If you prefer a more curated list, the must-read poetry collections guide highlights essential voices. And for a forward-looking perspective, the 2026 review roundup guide anticipates upcoming trends.
Readers who enjoyed the interplay of science and personal history here may also appreciate our reviews of Small Birds Singing and The Channel, which similarly explore memory and landscape. For a different genre, our crime and thriller roundup offers page-turning suspense. And if you're shopping for younger readers, don't miss the best new children's books.
FAQ
What is The Universe Is an Animal about?
Jessica Mookherjee's collection explores themes of displacement, war, and evolutionary biology, blending scientific language with familial histories from Bangladesh to Wales.
Who publishes Sylvia Legris?
Sylvia Legris's Sleep Gate is published by Fitzcarraldo Editions.

Are these collections suitable for readers new to poetry?
While both collections are intellectually rigorous, their emotional directness and vivid imagery make them accessible to attentive readers regardless of prior poetry experience.
Where can I find more poetry reviews?
Grand Goldman offers several poetry review roundups, including guides to top collections and must-read lists.