Organized crime has been intertwined with Hollywood since its inception, as revealed in the new documentary series Hollywood Crime Story: The Mob Takes Over the Movies. The series, produced and directed by Tom Patterson, traces the deep connections between the mob and the film industry, from the early days of Thomas Edison's patent wars to the classic era of The Godfather and Goodfellas.
The Birth of Hollywood and the Mob
According to Patterson, "From the foundation of Hollywood, organized crime is there." The relationship actually predates Tinseltown itself. When inventor Thomas Edison sought to control early motion picture technology, he hired goons to intimidate competitors. This forced many independent filmmakers, mostly Jewish businessmen from the East Coast, to flee westward. They established the town and studio system that would become synonymous with movies.
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Meanwhile, on the other side of the country, Prohibition gave rise to organized crime syndicates like The Outfit in Chicago and the mafia in New York. It didn't take long for these two worlds to collide.
The Mob's Entry into the Studio System
Episode one of the documentary covers the dawn of motion pictures through the 1960s. It highlights the ascension of Al Capone, who sent his underling Johnny Roselli to Hollywood to explore new business opportunities. Roselli quickly established himself among top stars and moguls, especially Harry Cohn, the vicious co-founder and president of Columbia Pictures. With a half-million-dollar loan from Roselli, Cohn was able to buy out his partners, giving the mob its first real stakes in a major studio.
This symbiotic relationship allowed the mob to influence casting, production, and even labor unions. The series uses archival footage and talking head interviews to chart this interdependent relationship through to 1990, when The Godfather Part III and Goodfellas "put a nice cap on that era of Hollywood," as Patterson puts it.

The Godfather and Goodfellas Era
By 1990, the mob's influence on Hollywood had become a cultural phenomenon. These films not only depicted organized crime but also reflected the real-life connections that had shaped the industry for decades. The documentary argues that these movies served as a kind of closure, marking the end of an era where the mob held significant power over the movies.
To better understand the key players, here's a comparison table:
| Figure | Role | Impact on Hollywood |
|---|---|---|
| Thomas Edison | Inventor | Forced filmmakers west with patent enforcement |
| Al Capone | Chicago mob boss | Sent Roselli to Hollywood to expand influence |
| Johnny Roselli | Mob envoy | Financed Columbia Pictures, gained studio control |
| Harry Cohn | Columbia Pictures president | Used mob money to buy out partners |
Key Takeaways
- Organized crime's influence on Hollywood predates the studio system.
- Edison's aggressive tactics pushed filmmakers to the West Coast.
- The mob financed major studios like Columbia Pictures.
- Films like The Godfather and Goodfellas marked the end of an era.
- The documentary series offers a comprehensive look at this history.
FAQ
How did organized crime first get involved in Hollywood?
What role did Johnny Roselli play in Hollywood?
Why are The Godfather Part III and Goodfellas significant in this history?
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