Marianela Nuñez Timeless review: the perfect ballerina delivers a leg-whipping, frictionless mastery that leaves audiences breathless. At 44, Nuñez remains one of the most technically superlative dancers of her generation, and her first solo show, Timeless, is a testament to her enduring brilliance. The performance, which celebrates her 28-year journey with the Royal Ballet, is a curated evening of repertoire that highlights both her own artistry and the remarkable depth of the company.
Marianela Nuñez: A Ballerina of Superlative Technique
Nuñez's technique is nothing short of extraordinary. She executes a fiendish string of fouettés in the extract from Le Corsaire with a smoothness that defies physics, whipping her leg in perfect circles and then coming to a gentle standstill with the smoothest brakes imaginable. This frictionless quality is the hallmark of her style—beauty and capability combined with egoless self-possession. Yet, as the review ponders, does this perfection sometimes lack a little grit? It's a fair question, but one that Nuñez answers with her own unique brand of elegance.
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Highlights from the Timeless Program
The evening is not solely about Nuñez; she generously showcases the Royal Ballet's dancers, allowing them to shine in their own right. Matthew Ball and Mayara Magri dance the balcony scene from Romeo and Juliet with a giddy, swooning intensity that is an absolute highlight. Akane Takada and Calvin Richardson bring tenderness to a duet from McGregor's Infra, while Fumi Kaneko and Lukas B Braendsrød perform Wheeldon's serene After the Rain, though they cannot quite fill the long phrases as Nuñez once did with Thiago Soares.
Jerome Robbins' In the Night: A Grownup Elegance
For herself, Nuñez chooses Robbins' In the Night, set to Chopin's Nocturnes. This is a very mature piece for three couples, full of simple, breath-holding elegance. Nuñez dances with Ball, their duet marked by super-smooth take-offs into jumps and lifts, and a tortuous indecision about their relationship status. It's a subtle and gorgeous piece that showcases Nuñez's ability to convey deep emotion with restraint.
Ashton's Marguerite and Armand: Melodrama and Reserve
In contrast, Ashton's Marguerite and Armand is pure melodrama, with Nuñez as a TB-stricken courtesan coughing on the chaise longue. Yet her level of reserve and containment transforms the piece into a dance of resistance and surrender rather than overt passion. This interpretation adds a layer of complexity to the character, making it a compelling watch.
Comparison: Nuñez vs. Other Ballerinas
| Aspect | Marianela Nuñez | Other Principal Ballerinas |
|---|---|---|
| Technique | Superlative, frictionless | Excellent, but sometimes less seamless |
| Stage Presence | Egoless self-possession | Varies, often more theatrical |
| Repertoire Range | Broad, from classical to contemporary | Often specialized |
| Longevity | Still performing at 44 | Many retire earlier |
Key Takeaways from Timeless
- Marianela Nuñez proves that perfection can be mesmerizing, even without grit.
- The show is a tribute to the Royal Ballet's rich choreographic heritage.
- Nuñez's generosity in showcasing other dancers elevates the entire performance.
- Her interpretation of Marguerite and Armand offers a fresh, reserved take.
- Timeless is a must-see for ballet aficionados and newcomers alike.
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In conclusion, Timeless is a celebration of a ballerina who has mastered her craft to the point of perfection. While some may crave a bit of grit, Nuñez's frictionless artistry offers a different kind of thrill—one of pure, unadulterated beauty. For fans of ballet, this is an unmissable evening.