Thea Musgrave's Bassoon Concerto Shines at Proms Review 2026

Thea Musgrave's Out of the Darkness bassoon concerto, premiered at the Proms, is a standout work that brings the bassoon into the spotlight with lyrical brilliance. This review explores the performance by bassoonist Amy Harman and the Academy of St Martin in the Fields, directed by Benjamin Marquise Gilmore.

Out of the Darkness: A Bassoon Concerto Like No Other

Thea Musgrave, at 98, has crafted a concerto that defies convention. The piece begins with a dark, grumbling orchestral texture, from which the bassoon emerges as a warm, baritonal voice. Harman's journey around the orchestra adds a theatrical element, as she weaves through sections, gathering rhythmic vitality before arriving at the front for a near-tonal final chord.

The Performance: Amy Harman's Lyrical Mastery

Amy Harman's tone was deliciously lyrical throughout, with phrases that seemed to end in question marks, keeping the audience engaged. Her interplay with the solo violin line of Gilmore provided a lighter contrast, creating a dialogue that was both beguiling and thought-provoking.

Programme Highlights: Mozart and Britten

The concert also featured a fast, ultra-precise performance of Britten's Simple Symphony, showcasing the Academy's versatility. Mozart's works provided a classical counterpoint, highlighting the ensemble's range.

• Thea Musgrave's new concerto is a rare addition to the bassoon repertoire.
• Amy Harman's performance was praised for its lyrical tone and expressive phrasing.
• The Academy of St Martin in the Fields delivered a cohesive and dynamic performance.

Why This Premiere Matters

At 98, Musgrave remains a vital voice in classical music, with her next opera debuting next year. This premiere not only celebrates her legacy but also expands the limited bassoon concerto repertoire, offering a fresh perspective on the instrument's capabilities.

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