In this Grieg Lyric Pieces album review, Vladimir Feltsman's probing flexibility transforms Edvard Grieg's beloved miniatures into a profound musical journey. The Russian-American pianist brings over six decades of accumulated wisdom to this comprehensive survey, offering interpretations that are both authoritative and refreshingly individual.
Feltsman's Interpretative Approach to Grieg's Lyric Pieces
Feltsman approaches Grieg as if it were Schumann, bringing a probing flexibility that elevates these pieces beyond occasional salon music. His supple rubato in the famous Arietta from Book I responds eagerly to the music's gentle contours, while his pointing up of cosmopolitan influences reveals Grieg's connections to Chopin, Saint-Saëns, and Nordic folk traditions.
The up-tempo showpieces are dispatched with theatrical flair. Book II's Leaping Dance cuts a hoppity-skippity caper, while his Hallings—those fast-paced Norwegian folk dances—are full of pungent harmonies and earthy rhythms. Feltsman's March of the Trolls, steadier than most, builds a menacing head of steam that rivals a Mussorgsky picture.
Quiet Jewels and Lyrical Depth
It's in the quieter pieces—jewels such as Melancholy, Homesickness, or the late Summer Evening—where Feltsman's lightness of touch and pristine articulation pay dividends. These intimate moments reveal the pianist's deep connection to the music, a connection that dates back to his childhood in Moscow and his first piano teacher, EM Timakin, who introduced him to these works.
For authority and inspiration, Feltsman can stand alongside Gilels and Andsnes, although he makes entirely individual choices. His interpretations are consistently surprising, making you fall in love with Grieg's endearing miniatures all over again.
Recording Quality and Listening Experience
Brightly recorded and played almost without breaks, this album offers a seamless listening experience. The sound quality is excellent, capturing the full dynamic range of Feltsman's playing, from the delicate pianissimos to the robust fortissimos of the dance movements.
Whether you're a longtime Grieg enthusiast or new to these works, Feltsman's survey is a must-have addition to any classical music collection. His ability to blend tradition with innovation makes this recording a standout.
Comparison with Other Notable Recordings
| Pianist | Style | Notable Features |
|---|---|---|
| Vladimir Feltsman | Probing flexibility, Schumannesque | Individual choices, theatrical flair, quiet depth |
| Emil Gilels | Classical restraint, clarity | Authoritative, but less personal |
| Leif Ove Andsnes | Lyrical, Nordic atmosphere | Beautifully polished, but more conventional |
Key Takeaways from This Album
- Feltsman brings a probing flexibility that transforms Grieg's miniatures into profound works.
- The recording highlights both cosmopolitan influences and Norwegian folk elements.
- Quiet pieces like Melancholy and Summer Evening showcase Feltsman's lightness of touch.
- This survey stands alongside Gilels and Andsnes for authority and inspiration.
- Brightly recorded, with almost no breaks, offering a seamless listening experience.
FAQ
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