Crybabies: The Scaring Review: Chills and Laughs in Demonic Possession 2026

Claire Hodges
Crybabies: The Scaring Review: Chills and Laughs in Demonic Possession
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Crybabies: The Scaring review reveals a masterful blend of chills and laughs in a demonic possession tale that stands tall among fringe festival horrors. This comic play from the Radio 4 trio of Michael Clarke, James Gault, and Ed Jones delivers a twisty narrative packed with smart gags and genuine scares, making it a standout production.

Plot Overview: A Priest's Demonic Encounter

The story begins with two priests attempting to exorcise a beast from another dimension, but the beast wins, leaving Father Arthur bereft of his partner and his calling. Forced into the immersive stag-do industry, he is later summoned to the Lyle Away hotel, where a reckoning with his traumatic past awaits. The plot twists more than Regan's neck in The Exorcist, referencing that iconic moment in a creepy-comical scene featuring a haunted dolly.


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Production Values and Performances

What sets Crybabies: The Scaring apart is its production quality, rarely seen on the fringe. The set design makes the Overlook Hotel in The Shining seem five-star by comparison, with a guesthouse that feels authentically decrepit. The trio's performances are tight, with Gault delivering an oddly tender goodbye that balances the show's emotional weight.

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Comedy and Horror: A Perfect Balance

The play squeezes escaped serial killers, a haunted boy with bloodlust, a possessed bouncy ball, and an anti-woke spook into its platinum-dense plot. The gags are relentless, including a brilliant Two Ronnies-alike conversation between Arthur, his hotelier, and a spectre only one can perceive. The hotel guest/ghost forever “fading away” is a keeper, and the puns are precious.

Comparison with Other Horror Comedies

Production Chills Factor Laughs Factor Plot Twists
Crybabies: The Scaring High High Twisty
Garth Marenghi Medium High Moderate
Gay Witch Sex Cult Medium High Moderate

Key Takeaways

  • Unique blend of genuine scares and laugh-out-loud comedy.
  • High production values elevate the fringe experience.
  • Twisty plot keeps audiences guessing until the finale.
  • Strong performances from the trio of Clarke, Gault, and Jones.
  • Emotional depth handled with care amidst the chaos.

Why You Should See It

If you're a fan of horror pastiche with a comedic edge, Crybabies: The Scaring is a must-see. It delivers chills and laughs in equal measure, with a story that stays with you long after the final bow. The production's ability to balance parental bereavement with absurdist humor is a testament to the writers' skill.

FAQ

What is Crybabies: The Scaring about?

It's a comic horror play about a disillusioned priest who confronts demonic possession at a rundown guesthouse, blending chills with sharp humor.

Who are the creators of Crybabies: The Scaring?

The play is written and performed by Michael Clarke, James Gault, and Ed Jones, known for their Radio 4 work.

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Is Crybabies: The Scaring suitable for all audiences?

While it contains horror elements and adult themes, the comedy makes it accessible to most, though parental guidance is advised for younger viewers.

In conclusion, Crybabies: The Scaring is a triumph of fringe theatre, proving that horror and comedy can coexist brilliantly. Don't miss this gem if you get the chance.

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Claire Hodges

Author

Claire Hodges

Claire Hodge is a seasoned writer and the head of content for the "Celebrities & Culture" magazine at Grand Goldman. With a background in journalism and a passion for Pop Culture / Fashion, she brings a unique blend of expertise and creativity. Her insightful articles and in-depth interviews have made her a bold voice in the industry, known for her ability to capture the idiosyncrasies of celebrity lives and cultural trends.


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