Frieze London Corrections: Liliane Lijn and Shaqúelle Whyte Errors 2026

Frieze London corrections have been issued after a preview of the contemporary art fair contained several errors, including the misspelling of artist Liliane Lijn's name as “Lillian Lynn”. The corrections, published by the Guardian, also addressed mistakes in the titles of works by Louise Giovanelli and Shaqúelle Whyte.

Details of the Frieze London Corrections

The article “For sale: pine cones, glitter and a hip-hop head” (12 October, G2, p8) misidentified several artists and their works. Liliane Lijn, a prominent artist known for her kinetic sculptures, had her name incorrectly spelled. Additionally, Louise Giovanelli's painting was titled Cathexis, not “Cathexia”.

Furthermore, due to errors in supplied information, two works by Shaqúelle Whyte were misrendered: Gulliver’s Forest was written as “Gulivers Forrest” and Miss Mammy as “Miss Mommy”. These corrections are vital for accurate art historical records and fair representation of the artists' work.

Why Accuracy Matters in Art Reporting

In the art world, precise attribution and titling are essential. Errors can affect an artist's reputation, confuse collectors, and mislead the public. The Frieze London corrections highlight the importance of rigorous fact-checking, especially in high-profile events like Frieze London, which attracts global attention.

Common Types of Errors in Art Publications

• Misspelled artist names
• Incorrect artwork titles
• Misattributed works
• Wrong dates or medium details

These mistakes can stem from hurried deadlines, reliance on secondary sources, or simple typographical errors. Publications like the Guardian issue corrections to maintain trust and accuracy.

Comparison of Errors and Corrections

This table illustrates the specific corrections made. Such transparency helps readers and researchers rely on accurate information.

Impact on Artists and Collectors

For artists like Liliane Lijn, Shaqúelle Whyte, and Louise Giovanelli, correct attribution is crucial for their professional standing. Collectors and galleries also depend on accurate titles for cataloging and sales. The Frieze London corrections ensure that these artists receive proper recognition.

Moreover, the art market thrives on trust. When publications correct errors promptly, they uphold journalistic integrity and support the art community.

Other Recently Amended Articles

The corrections roundup also included updates to other articles, such as:

• Man charged and boy, 12, in serious condition after being shot in face in Sydney
• Thieves make off with €5m haul from prestigious Italian winery
• Faster! Louder! Brighter! How the attention economy overwhelmed children’s TV
• Ada Yonath obituary
• Family of Indigenous woman found dead in Melbourne mourn ‘vibrant, beautiful young girl’
• ‘People sell their best stuff on Vinted’ – how charity shops became a dumping ground for unsellable clothes
• Child safety officer incorrectly assessed Elizabeth Struhs as ‘safe’ two days after she was admitted to hospital in coma

These amendments demonstrate a commitment to accuracy across all sections.

How to Submit Corrections

Readers can send editorial complaints and correction requests to guardian.readers@theguardian.com. Alternatively, write to: Readers’ editor, Kings Place, 90 York Way, London N1 9GU, or leave a voicemail on +44 (0) 20 3353 4736.

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