The 2026 Venice Biennale, one of the world's most prestigious art events, has been rocked by protests and closures after several national pavilions shut down in protest over Israel's inclusion. Organized by the Art Not Genocide Alliance (Anga), the strike aimed to pressure the Biennale to exclude Israel due to its ongoing war in Gaza. On the final day of the press preview, around a dozen pavilions either fully or partially closed, causing confusion among visitors and artists alike.
The protest marks the latest in a series of disruptions at this year's Biennale, which has become a flashpoint for geopolitical tensions. The Israeli pavilion itself was closed in the morning for a private event, while other pavilions displayed signs reading “Palestine is the future of the world” and “We stand with Palestine.” This wave of activism underscores how art institutions are increasingly being used as platforms for political statements.
Which Pavilions Were Affected
The strike saw a mix of full and partial closures. The Belgian, Dutch, Austrian, Japanese, Macedonian, and Korean pavilions remained closed for the entire day. The Austrian pavilion, which featured a standout installation, was among those that did not reopen. Other pavilions, including the British, Spanish, French, Egyptian, Finnish, and Luxembourg entries, either opened late, closed early, or reopened after finding extra staff.
Visitors to the Giardini on Friday morning found the British pavilion locked with a sign citing an Italian cultural workers' strike. It later reopened after additional staff were secured. The Israeli pavilion was also temporarily closed but for a private event, not the protest. This patchwork of closures created a confusing experience for the thousands of attendees at the preview.
Broader Protests at the Biennale
The Israel-related strike is not the only controversy at this year's Biennale. Earlier in the week, the Russian pavilion was forced to shut down after activists from Pussy Riot staged a protest against Russia's inclusion. Additionally, the Golden Lion jury resigned en masse before the event, stating they would not consider entries from countries whose leaders are subject to international arrest warrants—effectively barring Russia and Israel from consideration.
The UK government also refused to send a minister to open the British pavilion, citing Russia's presence. These actions echo historical protests at the Biennale, such as the 1968 student occupations that led to the cancellation of awards, and the 1970 protests by the Venice Communist party that again suspended prizes. The current wave of activism suggests the Biennale remains a powerful stage for political expression.
Artists and Exhibits Join the Movement
Beyond the pavilion closures, individual artists in the main exhibition, titled “In Minor Keys,” showed solidarity by incorporating Palestinian references into their work. For example, artist Tabita Rezaire hung Palestinian flags in her installation. Several pavilions also displayed posters with pro-Palestine messages. This grassroots involvement highlights how the art world is increasingly polarized over the Israel-Gaza conflict.
The protests have sparked debate about the role of international art events in geopolitical conflicts. While some argue that art should remain apolitical, others contend that cultural institutions have a responsibility to take a stand. The Biennale's organizers have not yet issued a formal response to the strike, leaving the future of Israel's participation uncertain.
FAQ
Why did the pavilions close at the Venice Biennale?
The closures were part of a strike organized by the Art Not Genocide Alliance (Anga) to protest Israel's inclusion in the Biennale due to the war in Gaza. About a dozen pavilions participated, with some closing for the full day and others for a few hours.
Which countries pavilions were affected?
The Belgian, Dutch, Austrian, Japanese, Macedonian, and Korean pavilions were closed all day. The British, Spanish, French, Egyptian, Finnish, and Luxembourg pavilions had partial closures, opening late or closing early.
Has the Venice Biennale seen protests before?
Yes, the Biennale has a history of political protests. In 1968, students occupied pavilions to demand reforms, leading to the cancellation of awards. In 1970, the Venice Communist party staged protests that again suspended the awards. The current protests continue this tradition of activism at the event.
