English National Ballet: Rhythm Riot review delivers a triple bill that pulsates with American energy, showcasing the company's versatility and verve. This production, featuring works by Balanchine, Robbins, and a new piece by Andrea Miller, is a vibrant celebration of rhythm and movement that leaves audiences exhilarated.
A Triple Bill of American Masters
The evening opens with George Balanchine's Symphony in Three Movements, a 1972 masterpiece set to Stravinsky's 1945 score. The English National Ballet Philharmonic, under the baton of Maria Seletskaja, delivers a powerful performance, capturing the crunchy complexity of Stravinsky's music. The dancers, including Swanice Luong, Emma Hawes, and Ksenia Ovsyanick, bring peppy energy and sharp technique to Balanchine's intricate choreography. Luong's entrance in a bubblegum pink leotard, bouncing into a jazzy tuck jump, is a highlight, while Ovsyanick's aloof precision adds a layer of cool sophistication.
Jerome Robbins' N.Y. Export: Opus Jazz
Next, Jerome Robbins' N.Y. Export: Opus Jazz transports the audience to the streets of 1950s New York. With its blend of ballet and jazz, the piece captures the restless energy of youth. The dancers execute Robbins' athletic choreography with gusto, their sneakers squeaking on the stage as they leap and spin. The ensemble work is tight, and the soloists shine, particularly in the playful duets that evoke a sense of youthful romance and rebellion.
Andrea Miller's New Work: A Bold Contrast
The final piece, a new creation by Andrea Miller, titled Ripple, offers a contemporary contrast. Miller's choreography is raw and physical, with dancers often collapsing to the floor and rising again in fluid motions. The piece explores themes of connection and fragmentation, set to a pulsating electronic score. The ENB dancers embrace the challenge, delivering performances that are both gritty and graceful. The lighting design by Lucy Carter enhances the mood, casting dramatic shadows that accentuate the dancers' movements.
Comparing the Three Ballets
Each piece in the triple bill offers a distinct flavor, yet they all share a focus on rhythm and American influences. Here's a quick comparison:

| Ballet | Choreographer | Music | Mood |
|---|---|---|---|
| Symphony in Three Movements | George Balanchine | Stravinsky | Sharp, energetic, neoclassical |
| N.Y. Export: Opus Jazz | Jerome Robbins | Robert Prince | Playful, jazzy, youthful |
| Ripple | Andrea Miller | Electronic score | Raw, physical, contemporary |
Key Takeaways
- Exceptional dancing: The ENB dancers tackle challenging choreography with precision and flair.
- Musical excellence: The ENB Philharmonic delivers a stellar performance, particularly in the Stravinsky.
- Diverse program: The triple bill offers a satisfying range of styles, from neoclassical to contemporary.
- Visual appeal: The designs, from the stripped-back Balanchine to the dramatic lighting of Miller's piece, enhance the experience.
FAQ
What is the English National Ballet's Rhythm Riot?
Rhythm Riot is a triple bill performed by English National Ballet, featuring works by George Balanchine, Jerome Robbins, and Andrea Miller. It celebrates American rhythm and dance styles.
Who choreographed the pieces in Rhythm Riot?
The triple bill includes choreography by George Balanchine (Symphony in Three Movements), Jerome Robbins (N.Y. Export: Opus Jazz), and Andrea Miller (Ripple).
What is the music in Rhythm Riot?
The music includes Stravinsky's Symphony in Three Movements, Robert Prince's score for N.Y. Export: Opus Jazz, and an electronic score for Andrea Miller's Ripple.
Overall, English National Ballet's Rhythm Riot is a thrilling showcase of dance that honors American rhythm while pushing the boundaries of ballet. It's a must-see for ballet enthusiasts and newcomers alike.
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