The Hallé and principal conductor Kahchun Wong recently delivered a memorable performance of James MacMillan's Symphony No. 6, a major new commission celebrating 30 years of Manchester's Bridgewater Hall. This Hallé/Wong review explores how the orchestra honoured its home's birthday with a work that feels like a new beginning for the composer.
A Celebration of Britain's Best Acoustic
We often complain about concert halls in the UK—the acoustics of the Barbican, Royal Festival Hall, and Royal Albert Hall; the practicality of Usher Hall and St George's Bristol; those seats at Snape Maltings, and that foyer at Birmingham's Symphony Hall. But as Manchester's Hallé opened its season with a celebration of 30 years of the Bridgewater Hall, it's worth remembering what we've gained. In three decades, a car park became Britain's best acoustic. While a flagship London hall may still be a fantasy, venues like Gateshead's Foster-designed Glasshouse, Saffron Hall, Kings Place, and Milton Court have all opened since 2000, making it hard to feel despondent.
MacMillan's Sixth Symphony: A New Beginning
After a cycle of symphonies that seemed to work up to the choral epic of 2019's fifth, MacMillan's sixth feels like a fresh start. The work echoes both Elgar's Enigma Variations and Britten's The Young Person's Guide, looking simultaneously inward and outward: inward to the family members who inspired four short, expositionary movements—the key to the wild parade that follows—and outward to the composers who inspired the fifth movement's textural and formal manipulations. The effect is disorienting, with a pastoral, folk-inflected opening that gradually gives way to more turbulent territory.
Key Takeaways from the Performance
- MacMillan's Symphony No. 6 is a major new commission that showcases the composer's evolving style.
- Kahchun Wong led the Hallé with precision and emotional depth, highlighting the orchestra's versatility.
- Bridgewater Hall's 30th anniversary was celebrated with a programme that honoured its exceptional acoustics.
- The symphony's structure balances intimate family-inspired movements with expansive, composer-inspired textures.
- The performance reaffirmed the Hallé's status as one of the UK's leading orchestras.
Comparing MacMillan's Symphonies
MacMillan's symphonic output has evolved significantly over the years. Here's a quick comparison of his recent symphonies:
| Symphony | Year | Key Features | Notable Performances |
|---|---|---|---|
| No. 4 | 2014 | Compact, intense, rhythmic drive | BBC Philharmonic |
| No. 5 | 2019 | Choral epic, large-scale, spiritual | London Symphony Orchestra |
| No. 6 | 2024 | Family-inspired, disorienting, textural | Hallé, Kahchun Wong |
The Hallé and Kahchun Wong: A Dynamic Partnership
Kahchun Wong, who became principal conductor of the Hallé in 2023, has brought a fresh energy to the orchestra. His interpretation of MacMillan's sixth symphony was both meticulous and passionate, drawing out the work's contrasts and complexities. The Hallé responded with playing of remarkable clarity and commitment, particularly in the symphony's demanding final movement.
FAQ
What is James MacMillan's Symphony No. 6 about?
MacMillan's Symphony No. 6 is inspired by family members and composers who influenced him. It features four short expositionary movements followed by a wild parade and a fifth movement with textural and formal manipulations.
Who conducted the Hallé in this performance?
The Hallé was conducted by principal conductor Kahchun Wong, who has led the orchestra since 2023.
Why is Bridgewater Hall celebrating its 30th anniversary?
Bridgewater Hall opened in 1996 and is renowned for its exceptional acoustics. The Hallé marked its 30th anniversary with a special concert featuring MacMillan's new symphony.
Conclusion
The Hallé's celebration of Bridgewater Hall's 30th anniversary was a fitting tribute to one of Britain's finest concert venues. MacMillan's Symphony No. 6, with its blend of personal and musical inspirations, proved a worthy centrepiece. Under Kahchun Wong's baton, the orchestra delivered a performance that was both thrilling and deeply moving, reminding us of the vital role such halls play in our cultural life.
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