Alex Cox, the fiercely independent British filmmaker, is inviting fans to post questions as he promotes what he says will be his final film, Dead Souls. The darkly comic western, loosely based on Nikolai Gogol's 1842 novel, marks the end of a remarkable career that has spanned punk cinema, political westerns, and cult television.
Cox broke through with the 1984 punk classic Repo Man, then directed Gary Oldman as Sid Vicious in Sid and Nancy. He made the political western Walker in 1987, starring Ed Harris, and from 1988 to 1994 introduced viewers to cult and overlooked films as the original presenter of BBC Two's Moviedrome—essentially doing film nerd YouTube decades before YouTube existed.
His career took him to Mexico in the 1990s, where he made Highway Patrolman, then back to his hometown of Liverpool for Three Businessmen and The Revengers Tragedy. In the US, he made Searchers 2.0, Repo Chick, and the sci-fi comedy Bill the Galactic Hero.
What to Know About Alex Cox's Career
Cox's work is characterized by a maverick spirit and a refusal to conform to Hollywood norms. He has consistently championed independent filmmaking and has a dedicated cult following. His diverse filmography includes:
- Repo Man (1984): A punk rock-infused sci-fi comedy that became a cult classic.
- Sid and Nancy (1986): A biopic of the Sex Pistols' bassist, starring Gary Oldman.
- Walker (1987): A political western starring Ed Harris.
- Highway Patrolman (1991): A Mexican crime drama.
- Revengers Tragedy (2002): A modern adaptation of Thomas Middleton's play.
- Dead Souls (2012): His latest film, a darkly comic western.
Beyond directing, Cox is also known for his work as a presenter on Moviedrome, where he introduced British audiences to cult and overlooked films. His influence on independent cinema and film culture is significant.
Why Dead Souls Matters
Dead Souls is billed as Cox's final film, making it a significant event for fans. The film stars Cox himself as Strindler—or is it Swindler?—a mysterious drifter roaming the American west offering to buy the names of dead Mexican laborers. He becomes tangled up with outlaws, crooked officials, and his own increasingly tall tales. The cast also includes Edward Tudor-Pole, punk frontman, actor, and former Crystal Maze host.
The film is a darkly comic western that explores themes of identity, exploitation, and storytelling. It is loosely based on Gogol's novel, which is itself a commentary on corruption and bureaucracy. Cox's adaptation transposes these themes to the American west, adding his signature political edge and dark humor.
How to Participate
Fans can submit their questions for Alex Cox via the publication's website. The deadline for submissions is typically a few days before the interview. Questions can cover any aspect of his career, from his early punk films to his final western. This is a rare opportunity to engage directly with a true independent filmmaker.
Whether you're a longtime fan of Repo Man or curious about his transition from punk to westerns, this is your chance to ask Cox about his influences, his creative process, and his thoughts on the film industry. He is known for his candid and insightful answers, so expect a lively discussion.
Alex Cox's Legacy in Film
Cox's career has been marked by a DIY ethos and a willingness to take risks. He has worked outside the studio system for most of his career, often financing his films independently. This has allowed him to maintain creative control but has also meant that his films have sometimes been overlooked by mainstream audiences.
However, his influence is undeniable. Repo Man is considered a landmark of 1980s punk cinema, and Sid and Nancy is regarded as one of the best music biopics ever made. His work on Moviedrome introduced a generation of British film fans to cult cinema, shaping their tastes and inspiring future filmmakers.
As he prepares to release his final film, Cox's legacy is secure. He has proven that independent filmmakers can make challenging, personal work that resonates with audiences. His career is a testament to the power of perseverance and artistic integrity.
What to Watch Next
If you're new to Alex Cox's work, start with Repo Man, then move on to Sid and Nancy and Walker. For a deeper dive, check out Highway Patrolman and Revengers Tragedy. And don't miss Dead Souls, his final film, which promises to be a fitting capstone to a remarkable career.
Fans of Cox's work might also enjoy our interview with Robert Carlyle, who discusses his own career and directing. And for those interested in punk culture, our piece on The Pogues reunion tour offers a look at another iconic band's legacy.
If you're a fan of cult cinema, you might also appreciate our article on The Quiet Earth, a New Zealand post-apocalyptic classic that has gained a cult following. And for more celebrity interviews, check out our conversation with Alex Winter, who shares his journey from Bill & Ted to Broadway.
For those interested in the business of film, our article on Sweden's post-Brexit migration policy might seem unrelated, but it touches on the broader cultural and political context that often informs Cox's work. And if you're a soccer fan, you might enjoy our piece on Manchester City post-Pep, which, like Cox's films, deals with themes of legacy and transition.
FAQ
Who is Alex Cox?
Alex Cox is a British film director, screenwriter, and actor known for films like Repo Man, Sid and Nancy, and Walker. He is also known for presenting the BBC Two series Moviedrome.
What is Alex Cox's final film?
His final film is Dead Souls, a darkly comic western loosely based on Nikolai Gogol's novel. It stars Cox as a mysterious drifter and features Edward Tudor-Pole.
How can I submit a question for Alex Cox?
You can submit your questions via the publication's website. Typically, there is a deadline a few days before the interview. Check the article for details.
What is Dead Souls about?
Dead Souls follows a drifter in the American west who offers to buy the names of dead Mexican laborers, becoming entangled with outlaws and corrupt officials. It is a darkly comic western that explores themes of identity and exploitation.