Shadows of Beirut review: this Covid-era drama plunges into chaos and crisis as a woman returns to her birth city. Directed by an unnamed filmmaker, the film stars Tala Calil as Lana, who left Beirut 25 years ago and returns to confront her traumatic past. Shot partly in Beirut and partly in a Bulgarian studio during the pandemic, the film's fractured production schedule mirrors its frenetic narrative.
Plot and Themes: A Woman's Journey Back to Beirut
Lana, now living in London with her boyfriend Ben and her mother, comes back to Beirut to see her biological father, a man she remembers only for his alcoholism and violence. The city itself is a character—ravaged by wars and infamous for its chaotic traffic. The film captures this energy through shredded editing that reflects Lana's distraught mental state. Her OCD, exacerbated by the pandemic, manifests in obsessive use of sanitary PPE, including N95 masks. A scene where her new friend Sirine (Flavia Bechara) casually takes off her coat while driving, forcing Lana to take the wheel, highlights the nonchalance about safety in a city where traffic lights are merely suggestions.
Production and Direction: Fractured Filmmaking
The higgledy-piggledy production schedule, split between Beirut and a Bulgarian studio, contributes to the film's disjointed feel. The editing, while chaotic, may be intentional to mirror Lana's inner turmoil and the city's frenetic pace. However, the overwrought drama sometimes struggles to balance its multiple crises—personal, political, and pandemic-related. The result is a film that feels perpetually in motion, much like its protagonist.
Performance and Characters: Tala Calil Shines
Tala Calil, who also co-wrote and produced, delivers a compelling performance as Lana. Her portrayal of a woman on the edge is both vulnerable and fierce. Flavia Bechara as Sirine adds a layer of local color, embodying the carefree yet resilient spirit of Beirut. Michael E Rodgers as Ben provides a grounded counterpoint to Lana's spiraling anxiety.
Comparison: Shadows of Beirut vs. Other Covid-Era Dramas
| Aspect | Shadows of Beirut | Typical Covid-Era Drama |
|---|---|---|
| Setting | Beirut and Bulgarian studio | Mostly domestic interiors |
| Themes | Personal trauma, city chaos, pandemic | Isolation, family dynamics |
| Editing Style | Fractured, frenetic | Linear, contemplative |
| Protagonist | Woman with OCD returning to birth city | Individual coping with lockdown |
Key Takeaways
- Shadows of Beirut is a chaotic, crisis-driven drama set during the Covid-19 pandemic.
- The film's fractured editing reflects the protagonist's mental state and Beirut's frenetic energy.
- Tala Calil delivers a standout performance as Lana, a woman confronting her past.
- The production's split between Beirut and Bulgaria adds to its disjointed quality.
- Despite its overwrought moments, the film offers a raw look at personal and urban trauma.
FAQ
What is Shadows of Beirut about?
Shadows of Beirut follows Lana, a woman who returns to her birth city after 25 years to confront her traumatic past, all while dealing with OCD and the chaos of Beirut during the Covid-19 pandemic.
Who stars in Shadows of Beirut?
The film stars Tala Calil as Lana, Flavia Bechara as Sirine, and Michael E Rodgers as Ben. Tala Calil also co-wrote and produced the film.
Where was Shadows of Beirut filmed?
The film was shot partly in Beirut, Lebanon, and partly on sets in a Bulgarian studio during the Covid-19 pandemic.
Final Verdict
Shadows of Beirut is a bold, if uneven, exploration of trauma and resilience. Its chaotic style may not appeal to all, but for those interested in character-driven dramas set against the backdrop of a city in crisis, it offers a compelling watch. The film's rawness and emotional intensity make it a noteworthy entry in the Covid-era cinema landscape.
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