Richard Dadd, a painter confined to an asylum for 43 years, created fantastical works that continue to captivate art historians. In the autumn of 1843, the influential journal Art-Union mourned “the late Richard Dadd,” an apparently kind and gentle man who a year or so earlier had been a rising star of London’s Royal Academy. Today, Dadd is known, if at all, for having murdered his father while in the grip of severe psychosis, for which he was committed to Bethlem hospital and then to the new Broadmoor Criminal Lunatic Asylum, where he remained for the rest of his life.
The Tragic Story of Richard Dadd
Dadd’s life took a dark turn during a trip around the Eastern Mediterranean, where he first began suffering mental distress. Upon his return, he killed his father, leading to his institutionalization. As Art-Union concluded: “although the grave has not actually closed over him, he must be classed among the dead.” At Bethlem, Dadd began painting again, producing scenes remembered from his travels, followed by portraiture, allegory, satire, biblical scenes, and intricately detailed fantasies.
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The Fairy Feller’s Master-Stroke
Among his most famous works is the unfinished The Fairy Feller’s Master-Stroke, which he painted between 1855 and 1864 while at Broadmoor. This painting exemplifies his fantastical vision, filled with intricate details and mythical creatures. By now, he was more patient than artist, and the prism of mental illness through which his work came to be understood has never fully shifted.
Exhibition: Richard Dadd: Beyond Bedlam
The exhibition Richard Dadd: Beyond Bedlam at the Royal Academy is the first major exhibition dedicated to the artist in more than 50 years. Returning him to his alma mater places the emphasis on Dadd the artist, and in the same spirit his medical records will be omitted, his illness and crime referred to only briefly. Co-curator Sylvie Broussine explains: “The before and after narrative is reductive: his style changes, but that happens with many different artists in all different circumstances. A number of his subjects remain the same.”
Comparing Dadd’s Work Before and After the Asylum
| Period | Style | Subjects |
|---|---|---|
| Pre-Asylum (1830s-1843) | Realistic, detailed | Portraits, landscapes, classical themes |
| Post-Asylum (1844-1886) | Fantastical, intricate | Fairy tales, Shakespeare, allegory |
Key Takeaways
- Richard Dadd was a talented painter whose career was interrupted by mental illness and a tragic crime.
- He spent 43 years in asylums, yet continued to produce art that blended reality with fantasy.
- The Beyond Bedlam exhibition refocuses attention on his artistic achievements, not his medical history.
- Dadd’s work, including The Fairy Feller’s Master-Stroke, remains influential in art history.
FAQ
Who was Richard Dadd?
Richard Dadd was a 19th-century British painter known for his detailed, fantastical works. He was committed to an asylum after murdering his father and spent 43 years institutionalized.
What is The Fairy Feller’s Master-Stroke?
It is an unfinished painting by Richard Dadd, created between 1855 and 1864 while he was at Broadmoor Asylum. The painting depicts a complex, fairy-tale scene with intricate details.
Where can I see Richard Dadd’s work?
The Richard Dadd: Beyond Bedlam exhibition at the Royal Academy in London is the first major show dedicated to him in over 50 years.