Boys Don't Dance review reveals how the power of 80s pop music transforms a young dancer's life in this feelgood stage show. Marc Brew's latest autobiographical work, created with choreographer Sidi Larbi Cherkaoui, returns to the themes of identity and joy that made An Accident/A Life so acclaimed. This time, the spotlight is on young Marc, played by Ross Malloy, growing up in rural Australia where football and sheep dominate, and where the mantra "boys don't dance" echoes constantly.
Boys Don't Dance Review: The Joy of Movement
The show brilliantly captures Malloy's character's absolute joy in dancing—how innate it is, the rhythm in his blood as he throws himself into the Footloose routine or grooves to a nostalgia-fest of Culture Club, Wham!, and cartoon pop star Jem. The choreography blends disco, jazz, acro-moves, and fizzing energy, with BMX tricks thrown in for good measure. It's a sunny mix that reminds us of the power of pop music and the boredom and freedom of an 80s childhood.
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Autobiographical Storytelling
When his mum is out, Malloy dresses up in her clothes and performs, but this desire is also torturing him, as is living in a place where he must hide his true self. Champion wheelchair Latin dancer Piotr Iwanicki plays the grown-up Brew, remembering his past and reconciling with it. Together, they find synergy and inventive moves, creating a touching dialogue between past and present.
Staging and Visuals
The staging is simple but effective. Video designer Jamie Wardrop's animated line drawings create the neighbourhood, and monochrome turns to neon as Brew finds his real freedom in the big city. This visual transition underscores the emotional journey from repression to liberation.
Why This Show Resonates
Boys Don't Dance was created with eight to 13-year-olds in mind, so it's not the most complex dramatically, emotionally, or choreographically. However, its warmth and feelgood nature make it engaging for all ages. Parents might get more out of the cultural references, but the universal themes of self-discovery and the joy of movement speak to everyone.
| Aspect | Boys Don't Dance | Typical Dance Show |
|---|---|---|
| Target Audience | 8-13 year olds | General adult |
| Musical Style | 80s pop nostalgia | Classical or contemporary |
| Choreography | Disco, jazz, acro | Ballet, modern |
| Emotional Depth | Light but meaningful | Often intense |
Key Takeaways from the Review
- 80s pop music serves as a powerful emotional anchor, evoking nostalgia and joy.
- The show celebrates self-expression and the courage to defy gender stereotypes.
- Marc Brew's autobiographical approach adds authenticity and depth.
- The blend of dance styles and BMX tricks keeps energy high and appeals to younger audiences.
- Simple staging with animated visuals effectively conveys the journey from rural isolation to urban freedom.
Final Thoughts on Boys Don't Dance
This review of Boys Don't Dance highlights a show that is both entertaining and uplifting. It's a reminder that pop music can be a transformative force, and that dance is a universal language of joy. Whether you're a fan of 80s culture or simply looking for a feelgood theatrical experience, this production delivers.
FAQ
What is Boys Don't Dance about?
Boys Don't Dance is an autobiographical stage show by Marc Brew, exploring his childhood in rural Australia where he was told boys don't dance. It celebrates the joy of movement and the power of 80s pop music in shaping his identity.
Who is the target audience for Boys Don't Dance?
The show was created with eight to 13-year-olds in mind, but its universal themes and nostalgic soundtrack make it enjoyable for adults as well, especially those who grew up in the 80s.
What makes Boys Don't Dance unique?
The show blends autobiographical storytelling with a vibrant mix of disco, jazz, acro, and BMX tricks, all set to a soundtrack of 80s pop hits. It's a feelgood celebration of self-expression and the joy of dance.