A recent study of near-death experiences has taken a novel approach: instead of relying solely on verbal accounts, researchers asked 50 people to draw what they remembered. The result, published in October 2026 in Frontiers in Psychology, is a collection of 112 spatial representations, 108 of which fell into four distinct geometric categories. This visual method offers fresh insight into the strange, often ineffable landscapes reported by those who have come close to death.
Why Drawings? A New Window into Near-Death Experiences
For decades, near-death experiences (NDEs) have been studied mainly through interviews and questionnaires. While these methods yield rich narratives, they may miss spatial and visual details that words struggle to capture. The team, led by researcher France Lerner at the University of Haifa in Israel, hypothesized that drawing could unlock a more direct route to these memories.
Participants were asked to reconstruct their experiences visually, breaking them down into episodes. This approach yielded 112 spatial representations, a trove of data that goes beyond verbal description. The researchers then analyzed the drawings to see if common visual motifs emerged.

The Four Geometric Categories That Dominated the Drawings
Of the 112 drawings, 108 could be classified into four geometric types. These categories suggest that despite the highly personal nature of NDEs, there may be shared visual structures underlying them.

- Conical spaces: Tunnels that seem to narrow or lead toward a distant point.
- Open spaces with large curvatures: Arcs or vaults resembling domes or sweeping curves.
- Colored spaces: Vivid, immersive fields of color.
- Luminous spheres: Bright, spherical forms of light.
These categories are not exhaustive; four drawings did not fit any pattern. Yet the prevalence of these forms across participants is striking and raises questions about the nature of NDE imagery.

What the Patterns Suggest About Consciousness
The recurrence of these geometric forms could indicate that the brain, under extreme conditions, generates similar visual experiences. Alternatively, it might point to something more fundamental about how consciousness organizes spatial information. The study does not claim to explain the cause of NDEs, but it provides a new lens for exploring them.
According to the researchers, the visual approach may help identify universal elements of NDEs that verbal reports obscure. This could be valuable for both scientific understanding and for helping experiencers process their encounters.
A Comparison of the Four Geometric Categories
| Category | Description | Common Associations |
|---|---|---|
| Conical spaces | Tunnels that narrow or lead to a point | The classic "tunnel" sensation |
| Open spaces with curvatures | Arcs, vaults, or dome-like expanses | Feelings of vastness or enclosure |
| Colored spaces | Intense, immersive color fields | Vivid hues, often described as otherworldly |
| Luminous spheres | Bright, spherical light forms | Encounters with radiant light |
This table summarizes the four categories as reported in the study. While the descriptions are brief, they capture the essence of each geometric type.
Implications for Research and for Experiencers
The findings suggest that near-death experiences may have a common visual grammar. For researchers, this opens avenues for cross-cultural studies and for comparing NDEs with other altered states. For experiencers, the knowledge that others have drawn similar shapes may be validating. Context on how this played out before sits in Near-Death Experiences Drawn by 50 People Reveal Four Geometric Patterns. A companion piece, Cats Prefer Silvervine Over Catnip, Study Reveals, approaches the same subject from another angle.
The study also highlights the value of arts-based methods in psychology. By asking participants to draw, the researchers accessed layers of memory that might otherwise remain unspoken. The background to this story is set out in Science: latest articles. A related thread runs through Space-Grown Artificial Retinas: A New Hope for Blindness.
Limitations and Future Directions
The sample size of 50 is relatively small, and the study relied on retrospective accounts, which can be subject to memory distortions. Future research could involve larger, more diverse groups and longitudinal designs. Additionally, comparing drawings from different cultures could reveal whether these geometric patterns are universal. Earlier coverage in Touchscreen Fabric Screen Survives 50 Washes: What It Means shows how the argument developed. A closer look at the same subject appears in Japanese Scientists Create Lunar Fertilizer Using Air and Plasma.
Despite these limitations, the study represents a creative step forward in NDE research. It demonstrates that even in the realm of the ineffable, patterns can be found. Anyone following the wider picture can start with Butterfly Wing Patterns Trick Predator Brains, Study Finds. The same theme surfaces in Yearning Trend: Why We Long for Slow-Burn Love and Nostalgia, which takes a different angle.
FAQ
What did the near-death experience drawings show?
The drawings revealed that 108 out of 112 scenes could be grouped into four geometric categories: conical spaces (tunnels), open spaces with large curvatures, colored spaces, and luminous spheres. These patterns suggest shared visual structures in NDEs.
Who conducted the study and where was it published?
The study was led by France Lerner at the University of Haifa in Israel and published in October 2026 in Frontiers in Psychology.
Why is drawing a useful method for studying NDEs?
Drawing allows participants to express spatial and visual aspects of their experiences that may be difficult to put into words. It provides a more direct window into the imagery of NDEs and can reveal common patterns across individuals.
What are the limitations of this study?
The study had a relatively small sample of 50 participants and relied on retrospective accounts, which may be affected by memory biases. Future research with larger and more diverse groups is needed to confirm the findings.