In August 1996, Oasis played two historic shows at Knebworth House, drawing 250,000 fans. The Guardian's coverage of Oasis at Knebworth 1996, however, took an unexpected turn, with the main review focusing on support act The Charlatans rather than the headliners.
The Guardian's Surprising Review Choice
Despite the magnitude of the event—the largest outdoor gigs ever staged in Britain by a single band—The Guardian's music pages led with a review of The Charlatans' performance. Caroline Sullivan's piece, titled "Blue tones: The Charlatans must have dreamt of upstaging Oasis. At Knebworth, they almost did. But it came at a horrible price," delved into the support band's set, which nearly stole the show.
The review highlighted the intense pressure on The Charlatans, who faced a massive crowd and the daunting task of following Oasis's momentum. Sullivan noted that while they almost upstaged the headliners, the effort came at a significant cost, hinting at the toll such a high-stakes performance took on the band.
What Else Made the Paper?
Beyond the Charlatans review, The Guardian also covered other musical events that weekend. A review of folk-rock band Fairport Convention's Cropredy festival appeared, as did a piece on The Divine Comedy, labeled the "anti-Oasis" for their contrasting style. A photograph of the Knebworth crowds graced page 7, but the main review was not of Oasis.
This editorial decision might seem puzzling today, given Oasis's legendary status. However, it reflects the paper's broader cultural coverage at the time, which often balanced mainstream rock with folk and indie acts.

Oasis's Continued Presence in The Guardian
Despite the lack of a dedicated review, The Guardian did not ignore Oasis entirely. The paper had recently featured their Loch Lomond gigs and continued to report on the band's news, including the constant falling out and making up of the Gallagher brothers and even a Smurfs' cover of "Wonderwall." This ongoing coverage shows that while the Knebworth review may have missed the mark, the paper recognized Oasis's cultural impact.
Comparing Coverage: Then and Now
| Aspect | 1996 Coverage | Modern Equivalent |
|---|---|---|
| Main Review Focus | The Charlatans | Headliner would be central |
| Support Act Coverage | Extensive | Mentioned briefly |
| Photo Placement | Page 7 | Front page or dedicated spread |
| Social Media | Nonexistent | Live updates and viral clips |
Key Takeaways
- The Guardian's main review of Knebworth 1996 focused on The Charlatans, not Oasis.
- Other reviews that weekend covered Fairport Convention and The Divine Comedy.
- The paper did report on Oasis's news and had covered their Loch Lomond gigs.
- Modern coverage would likely prioritize the headliner and include social media.
FAQ
Why did The Guardian review The Charlatans instead of Oasis?
The Guardian's decision to focus on The Charlatans may have been an editorial choice to highlight a support act's near-upstaging of the headliners, or simply a matter of reviewer assignment. It remains a curious footnote in music journalism history.
Did The Guardian cover Oasis at Knebworth at all?
Yes, but minimally. There was a photo of the crowds on page 7, and the paper continued to report on Oasis news in subsequent issues, including their Loch Lomond gigs and Gallagher brothers' antics.
What was the significance of Oasis at Knebworth 1996?
The concerts were the largest outdoor gigs ever staged in Britain by one band, with 250,000 attendees over two days. They marked the peak of Britpop and Oasis's career, with the Morning Glory album certified 10 times platinum.
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