Good With Faces Review: A Mesmerising Psychological Thriller 2026

Good With Faces is a mesmerising psychological thriller that will leave you sitting uncomfortably on the edge of your seat. This two-hander, written and directed by Oisín Kearney, delivers a precise and assured exploration of power, parenting, and the blurred lines between professional and personal life.

Good With Faces Review: A Tense Two-Hander

The play opens with social worker Hegarty (Patrick McBrearty) interviewing single mother Garrick (Clodagh Mooney Duggan) after her son sustains a bruise. What begins as a routine referral quickly unravels into a gripping power struggle, where every word and gesture carries weight. Kearney’s script is razor-sharp, with pregnant pauses and dark comedy that turn into moments of genuine terror.

The performances are outstanding. McBrearty’s Hegarty is initially confident, even patronising, but as Garrick begins to turn the tables, his composure cracks. Duggan’s Garrick is a study in controlled desperation, shifting from vulnerability to fierce manipulation in a heartbeat. The chemistry between them is electric, keeping the audience guessing who will gain the upper hand.

Power Dynamics and Professional Ethics

At its core, Good With Faces examines the ethics of care work and the vulnerabilities of both the helper and the helped. Kearney raises questions about how economic pressures and personal biases seep into professional relationships. The play avoids didacticism, instead letting the audience sit with the discomfort of moral ambiguity.

One of the most striking elements is the use of motifs—like the correct pronunciation of “bourbon biscuit”—that underscore the characters’ need for control. The sound design by Katie Richardson adds a discordant layer, heightening the tension. This is a play that rewards close attention, as seemingly casual comments can send the drama spinning in new directions.

Comparison with Other Fringe Thrillers

Good With Faces shares thematic ground with other recent Fringe hits, but it stands out for its tight construction and nuanced performances. Below is a quick comparison:

Key Takeaways from Good With Faces

• An intense psychological thriller with superb acting.
• Explores the ethics of social work and parenting under pressure.
• Kearney’s direction is precise, with every pause and gesture meaningful.
• Perfect for fans of character-driven drama and moral ambiguity.

Should You See Good With Faces?

If you enjoy theatre that challenges and unsettles, Good With Faces is a must-see. It’s a masterclass in building tension through dialogue and body language. The play’s exploration of how a harsh economic climate impacts care work feels timely and urgent. While it may leave you uncomfortable, that discomfort is precisely the point—and it’s what makes this production so memorable.

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