In an era of political extremism and societal fractures, the new play Supposing taps into ancient Greek rage to articulate our collective exasperation. Written and directed by Zinnie Harris, this minimalist production transforms a bare stage into a powerful meditation on curses, prophecy, and the human condition.
Supposing: A Modern Woman's Encounter with the Divine
The play centers on Sally, a secular woman who suddenly believes she has been cursed. Nicole Cooper delivers a nuanced performance as Sally, who navigates a world of concrete facts yet finds herself haunted by visions of a racist neighbor and uncertain futures. Her husband Richard, played by Richard Conlon, reacts with a spectrum of emotions—incredulity, mockery, shock—none of which offer solace.
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Harris's script cleverly juxtaposes Sally's ordinary life with the grandeur of Greek tragedy. The 17-strong Greek chorus in her head nags like a guilty conscience, pushing her to research satyrs, tragedies, and sacrifices. She even attempts libations with water, salt, and wine, hoping to silence the voices. This blend of the mundane and the mythic creates a compelling theatrical experience.
The Power of Minimalism in Theatre
Designer Alisa Kalyanova's set is strikingly simple: a white-edged circle on an empty floor. This circle serves multiple purposes—it could be the hole Sally trips into or the kitchen where she confesses her fears. This minimalist approach allows the actors' performances and Harris's text to shine, proving that theatrical power doesn't require elaborate sets.
The circle also symbolizes the relationship dynamics between Sally and Richard, as they revolve around each other, desiring closeness but often repelled by the weight of Sally's revelation. This visual metaphor underscores the play's exploration of communication breakdowns in modern relationships.
Comparing Supposing to Traditional Greek Tragedies
Harris draws explicit parallels to Greek heroines like Medea, Clytemnestra, and Penelope. However, Sally is an imperfect fit—she's an ordinary wife and mother, not a mythic figure. Yet, her intense emotional responses resonate with the full-blooded passion of ancient drama. The play suggests that our troubled times demand such heightened reactions.
| Aspect | Supposing | Traditional Greek Tragedy |
|---|---|---|
| Protagonist | Modern secular woman | Mythic hero/heroine |
| Setting | Minimalist circle | Grand amphitheater |
| Chorus | Internal voices | External group |
| Theme | Personal curse and prophecy | Fate and divine will |
Key Takeaways from Supposing
- Minimalist staging enhances focus on character and text.
- Greek mythology is reimagined for contemporary audiences.
- Strong performances by Nicole Cooper and Richard Conlon carry the narrative.
- Social commentary on political extremism and personal anxiety.
- Emotional intensity mirrors ancient tragic catharsis.
Why Supposing Resonates Today
The play's exploration of curses and prophecy speaks to our collective sense of powerlessness in the face of global crises. Sally's visions of a racist neighbor reflect real-world tensions, while her struggles with pregnancy and miscarriage highlight anxieties about the future. These themes make Supposing a timely and thought-provoking piece.
Harris's direction ensures that every moment counts, with Cooper and Conlon delivering performances that are both grounded and emotionally charged. The result is a play that feels both ancient and urgently contemporary.