The Supposing review reveals a play that channels ancient Greek rage to address our exasperating times. Written and directed by Zinnie Harris, this minimalist production strips theatre to its essence, using a white circle on an empty stage to explore curses, prophecy, and modern anxiety.
Supposing: A Modern Greek Tragedy
In Supposing, Sally (Nicole Cooper) tells her husband Richard (Richard Conlon) she thinks she's been cursed. The play imagines his reactions—incredulous, mocking, shocked—none helpful. This simple premise spirals into a meditation on fate, free will, and the weight of seeing the future.
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The circle on the floor becomes a powerful symbol. It could be a hole on the high street or the kitchen where Sally's revelation disrupts domestic life. The actors revolve around each other, desiring closeness but repelled by the truth they must confront.
The Chorus and the Curse
Sally is haunted by a 17-strong Greek chorus in her head, nagging like a guilty conscience. She researches satyrs, tragedies, and sacrifices, even trying libations with water, salt, and wine. This blend of ancient ritual and modern skepticism creates a unique theatrical tension.
Cooper delivers lines with helpless irony, making the play's darker moments surprisingly funny. Her admission of being "intense" resonates with anyone who has felt overwhelmed by the state of the world.
Comparing Ancient Heroines and Modern Women
The play draws parallels between Sally and Greek heroines like Medea, Clytemnestra, and Penelope. Yet Sally is an ordinary wife and mother, making the comparison comically imperfect. Still, her references to pregnancies and miscarriages hint at an uncertain future, while visions of political extremism ground the drama in contemporary fears.
| Aspect | Ancient Greek Drama | Supposing |
|---|---|---|
| Protagonist | Heroic figures (Medea, etc.) | Ordinary woman (Sally) |
| Chorus | External commentators | Internal voices in Sally's head |
| Conflict | Fate vs. free will | Modern anxiety vs. ancient prophecy |
| Setting | Grand palaces | Empty stage with a circle |
Key Takeaways from Supposing
- Minimalist staging enhances emotional impact.
- Strong performances by Nicole Cooper and Richard Conlon.
- Blends ancient mythology with modern secular concerns.
- Explores themes of curse, prophecy, and mental health.
- Relevant to today's politically charged climate.
The play suggests that in our exasperating times, only the full-blooded response of Greek tragedy can capture our collective rage and confusion. Sally's journey from disbelief to acceptance mirrors our own struggle to make sense of chaos.
Why Supposing Matters Now
Harris's script is elliptical, leaving much open to interpretation. But that ambiguity is its strength. It forces the audience to engage actively, questioning what they would do if cursed with foresight. The play doesn't offer easy answers, only the catharsis of shared emotion.
Nicole Cooper's portrayal of Sally is nuanced, capturing both vulnerability and strength. Richard Conlon provides a solid counterpoint, grounding the fantastical elements in everyday reality. Their chemistry makes the central relationship believable.
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In conclusion, Supposing is a thought-provoking production that asks big questions about our times. It may not have the bombast of a Hollywood epic, but its quiet intensity lingers long after the final bow.