A World Elsewhere review reveals a chaotic, thrilling family show from Shakespeare's Globe and Splendid Productions that ignites joy in young audiences. The more children you bring, the more fun you'll have, as this production masterfully blends Shakespearean characters with playful mayhem.
The story centers on 12-year-old Cass, a schoolboy struggling with doubts and fears, who retreats into his imagination. There, he encounters a host of make-believe characters, including Sarah, a classical Shakespearean actor played with pompous twinkle by Kerry Frampton, and Cobweb, a minor Shakespearean character brought to life by Tanvi Virmani. Zachary Willis's Big Guy, a TV character, spends his time in silly, funny play-fights that delight the audience.
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A World Elsewhere Review: The Magic of Chaos on Stage
Directed with a lovely light touch by Lucy Cuthbertson, the production takes children and parents alike on a journey across seas, through swaying forests, and into battles with monsters. The design by Rose Revitt sparks into thrilling life as Cass's anxiety grows. Actors are swallowed by trap doors, smoke billows through the theatre, and a looming shadow-puppet threatens to engulf the audience.
This family theatre experience is effortlessly captivating in its first half, but the second half becomes meta-theatrical and confusing. The show attempts to fold in themes about the importance of messiness and fear, and how boring life and Shakespeare would be without chaos. While ambitious, it's a lot for a loosely constructed family show, and younger children's attention may wane.
What Makes This Production Special?
The gleeful sense of playfulness is the standout feature. Children in the audience are not just spectators but active participants in the chaos. The interaction between the actors and the young audience creates a shared experience that is rare in theatre.
| Aspect | Strengths | Weaknesses |
|---|---|---|
| Performances | Energetic, comedic, and engaging | Second half loses focus |
| Design | Innovative trap doors, puppetry, smoke effects | Meta-theatrical elements confuse |
| Audience Engagement | High, especially with children | Younger kids may lose interest later |
| Direction | Light touch, keeps chaos playful | Narrative becomes muddled |
Key Takeaways from A World Elsewhere
- Best enjoyed with a group of children – their laughter amplifies the fun.
- The first half is a masterclass in imaginative staging.
- Expect chaos, trap doors, and shadow puppets that thrill.
- Themes of fear and messiness are present but may go over young heads.
- Ideal for ages 6 and up, but older kids and adults will appreciate the Shakespearean nods.
Why Families Should See This Show
Despite the second-half confusion, A World Elsewhere offers a unique opportunity for families to experience theatre that doesn't talk down to children. It celebrates the messiness of imagination and the joy of play, making it a memorable outing. The production's ambition is commendable, even if it occasionally trips over its own complexity.
If you're looking for a family day out in London, this show is a strong contender. It's a chaotic thrill ride that will leave kids buzzing and parents smiling, even if the plot's deeper meaning gets lost in the fun.