In the Black review reveals a compelling business drama that dissects the Faustian pact of big business, where profit and personal success trump ethics. This solo show, written and performed by Quaz Degraft, returns to the Edinburgh fringe after a successful run, offering an insider's look at high finance and the moral compromises it demands.
Set against the backdrop of a trillion-dollar financial company, the play follows Kofi Grady, a first-generation Ghanaian American graduate who uses his mathematical prowess to climb the corporate ladder. His motivation stems from a childhood of deprivation, where a joyride in a high-performance car symbolized the comfort and control he craved. Degraft, who himself worked in finance, paints a vivid picture of a culture that rewards silence and punishes whistleblowing.
Get the #1 Wireless Door Camera
REOLINK Bestseller: 2K Weatherproof Video Doorbell, No Monthly Fees.
Plot and Performance: A Tale of Complicity
Kofi's journey is not one of overt villainy but of quiet complicity. When a female colleague is assaulted, he participates in the cover-up, choosing career advancement over moral courage. The play masterfully portrays how ordinary ambition can lead to extraordinary ethical failures. Degraft's storytelling is sweet and engaging, yet it carries a sharp critique of male power and the insidious ways it operates in corporate settings.
The Faustian Bargain of Corporate Life
The central theme is the implicit deal made by employees: put in the hours, say the right things, ignore abuses, and wait for bonuses. This Faustian pact is not new, but Degraft's perspective—a #MeToo tale from the male viewpoint—adds a fresh layer. The production, directed by Abigail Onwunali, is stripped-down, letting the narrative and Degraft's performance shine.
Key Takeaways from In the Black
- Corporate culture often prioritizes profit over people, leading to systemic ethical breaches.
- Silence and complicity are as damaging as direct wrongdoing, especially in cases of workplace harassment.
- The play offers a unique male perspective on the #MeToo movement, highlighting the role of bystanders.
- Degraft's real-world finance experience lends authenticity to the portrayal of high-stakes business environments.
Comparison: In the Black vs. Other Corporate Dramas
| Aspect | In the Black | Glengarry Glen Ross |
|---|---|---|
| Focus | Ethical complicity and male power | Cutthroat sales tactics and desperation |
| Protagonist | Young graduate navigating moral dilemmas | Seasoned salesmen facing pressure |
| Tone | Subtle, introspective, with moments of sweetness | Aggressive, high-tension, and cynical |
| Perspective | Insider view of financial company | Real estate office, but similar corporate ethos |
This comparison highlights how In the Black offers a more nuanced, character-driven exploration of corporate life, focusing on the quiet compromises that define success in big business.
Why This Play Matters for Business Audiences
For professionals in finance, management, or any corporate role, In the Black serves as a mirror to the everyday ethical decisions that often go unnoticed. It challenges viewers to consider their own complicity in systems that reward silence. The play's relevance extends beyond the stage, prompting discussions about corporate governance, whistleblower protections, and the true cost of ambition.
FAQ
What is the central theme of In the Black?
Who is the protagonist in In the Black?
How does In the Black relate to the #MeToo movement?
In conclusion, In the Black is a rewarding drama that offers profound insights into the ethical dilemmas of modern business. Its nuanced storytelling and authentic portrayal make it a must-see for anyone interested in the intersection of ambition, morality, and corporate life.