Marianela Nuñez Timeless review: the perfect ballerina showcases leg-whipping, frictionless mastery in her first solo show, a dazzling tribute to the Royal Ballet. At 44, Nuñez remains a paragon of technique, turning fiendish fouettés into effortless poetry. This review explores why Timeless is a must-see for ballet fans, even if a little grit might be missing.
The Perfect Ballerina: Nuñez’s Unmatched Technique
Nuñez’s performance is a masterclass in precision. Her ability to execute a string of fouettés from Le Corsaire with absolute control is breathtaking. She whips her leg in circles, then glides to a standstill with the smoothest brakes imaginable—truly frictionless beauty.
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This perfection, however, raises a question: does ballet need imperfection to resonate? Nuñez’s reserve and containment offer a cool elegance, but some may crave a touch more vulnerability. Yet, her egoless self-possession makes every moment compelling.
Timeless Repertoire: A Tribute to Choreographers
The program spans Robbins, Ashton, Wheeldon, and McGregor, showcasing Nuñez’s versatility. Her interpretation of Jerome Robbins’ In the Night with Matthew Ball is subtle and gorgeous, full of breath-holding elegance. The duet captures tortuous indecision with super-smooth lifts and jumps.
Ashton’s Marguerite and Armand contrasts sharply, a melodrama where Nuñez’s TB-stricken courtesan dances resistance and surrender. Her reserve makes the piece more about internal struggle than overt passion, a choice that highlights her artistic maturity.
Supporting Dancers Shine in Timeless
Nuñez generously shares the stage, allowing Royal Ballet dancers to shine. Matthew Ball and Mayara Magri’s balcony scene from Romeo and Juliet is an absolute highlight, with Magri giddy as Romeo swoops manfully. Akane Takada and Calvin Richardson bring tenderness to McGregor’s Infra.
Fumi Kaneko and Lukas B Braendsrød dance Wheeldon’s serene After the Rain, though they can’t fill the long phrases like Nuñez once did with Thiago Soares. This contrast underscores Nuñez’s unique phrasing and musicality.
Comparison: Nuñez vs. Other Ballerinas
| Aspect | Marianela Nuñez | Other Ballerinas |
|---|---|---|
| Technique | Superlative, frictionless | Often excellent but with visible effort |
| Stage Presence | Egoless self-possession | Varies, sometimes more dramatic |
| Emotional Range | Reserved, contained | More overt passion |
| Versatility | Spans multiple choreographers | Often specialized |
Key Takeaways from Timeless
- Nuñez’s fouettés are flawless, showing absolute control.
- The show is a tribute to the Royal Ballet’s legacy.
- Supporting dancers like Matthew Ball and Mayara Magri deliver memorable performances.
- Nuñez’s reserve offers a unique interpretation of dramatic roles.
- Timeless is a must-see for ballet aficionados.
Why Timeless Matters for Ballet Fans
This solo show is a rare opportunity to see a ballerina at the peak of her powers, curating a program that reflects her journey. It’s a celebration of the Royal Ballet’s choreographic heritage, from Ashton to McGregor. Nuñez’s generosity in spotlighting her colleagues adds depth to the evening.
While some may wish for more grit, the sheer perfection of Nuñez’s dancing is awe-inspiring. Timeless is a testament to her enduring artistry and a gift to audiences who appreciate ballet at its most refined.