Taiwan Season: The Wall review at Edinburgh's Summerhall presents a haunting dance of urban isolation. The Seed Dance Company, led by artistic director Wen-Jen Huang, delivers a coolly executed piece that explores the paradox of proximity and loneliness in a bustling city.
The Enigmatic Set Design
The performance makes use of two box-like, occasionally illuminated apparatus that are modified during the show to resemble apartments and various confines. These structures serve as micro-stages, offering both liberation and imprisonment. The dancers repeatedly find themselves isolated despite their close proximity on the thrust stage, creating a sense of urban anonymity.
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Choreography and Movement
The choreography is restrained yet powerful. One questing solo is delivered beneath another dancer on the roof, while another is in the room next door. The performers form walls with their bodies, facing off against each other. The movement is carefully controlled, with dancers melting into the walls rather than bouncing off them.
The electronic accompaniment accentuates the busy urban atmosphere. The dancers, including Wen-Jen Huang, share silvery highlights in their hair and wear similar shirts and trousers in subdued shades, adding to the automated air of the commute.
Key Themes and Moments
The show builds in intensity over 45 minutes. The set, initially cumbersome, becomes a tool for liberation and imprisonment. A particularly aching duet is choreographed with a behind-closed-doors tenderness, contrasting with the unison movements that evoke the daily grind.
The finale features a forlorn and otherworldly solo performed inside two clingfilm-wrapped frames forming a tunnel. As Hsing-Yu Chen presses against her surroundings, the impression is of how little divides us but how hard it can be to break through.
Comparison of Elements
| Aspect | Description | Effect |
|---|---|---|
| Set Design | Box-like apparatus | Creates confinement and micro-stages |
| Choreography | Restrained, unison, and duets | Evokes urban isolation and tenderness |
| Music | Electronic accompaniment | Adds uncanny anonymity |
| Costumes | Subdued shades, silvery highlights | Reinforces automated, commuter-like feel |
Key Takeaways
- Taiwan Season: The Wall review highlights the paradox of closeness and isolation in urban life.
- The Seed Dance Company's restrained choreography creates a haunting atmosphere.
- The innovative set design offers both liberation and imprisonment.
- The performance is a must-see for contemporary dance enthusiasts.
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